J.P. Cormier
2022-08-31 20:00 - 22:00, 2023-08-30 20:00 - 22:00 (America/Halifax) | The Frolic’n Folk Pub & Grill, 4115 HWY 223, Iona, Nova Scotia, B2C 1A3, Canada
Nobody really knows who J.P. Cormier is for sure. That’s to be expected, believe me.
In 1974 he was a five year old boy, discovering an innate talent for playing the guitar, I had a little hand in that, guiding him through the beginning stages. He learned faster than I could teach.
By the mid eighties, not out of his teens, he was a sideman for bands and artists of many different genres in Alabama, Tennessee, Mississippi, and all across the deep south. As he travelled and worked he added more and more instruments to his arsenal of capabilities. He became indispensable to the bands he worked for.
In the early Nineties, he became a sideman for one of Canada’s favourite sons, Stompin’ Tom Connors and also became a staple of the recordings at Studio H in Halifax. His work with the CBC there, spanned musical, production and arranging duties.
All this before he was 20.
In the mid nineties he reentered the musical scene of his beloved East Coast and the Island called Cape Breton. He exploded onto the trad music scene there as a fiddler, performing some of the most difficult music ever produced by legends like Winston Fitzgerald and Angus Chisholm with a facility that stunned onlookers. Especially those who knew he wasn’t born there, but born in Ontario to Cape Breton parents. Somehow, some way, his music was the real thing, sounding like he had been steeped continually in a handed-down brew of family tradition from the old country.
Nothing could be further from the truth.
His previous gig was in Nashville playing mandolin and banjo in a grammy nominated bluegrass gospel band and performing on the Opry, and playing television shows with the likes of Waylon Jennings. All those people also thought he was one of them, American, reared in the ways of bluegrass, old time and Americana music. They knew he was from Canada, but it just didn’t seem possible.
Then in 1997, something amazing happened.
An album released in Canada, out of nowhere, called Another Morning. This time it was him as a songwriter and a lead singer.
And what a songwriter he turned out to be. Some of the performances on that album are literally part of the musical vocabulary today in the East Coast. Songs like the title cut, and Kelly’s Mountain, The Molly May (co written with his cousin Gervais) and others. It inspired, 25 years ago, some of the biggest names in the business today. People like Dave Gunning, Matt Andersen, David Myles, Joel Plaskett, all of which will tell you: that record changed things.
The Canadian industry thought so too, and it received a juno nomination and won an ECMA.
And that was just the beginning.
36 years later after stepping on stage as professional union musician for the first time at the tender age of 13, JP is still going, and frighteningly, still getting better.
16 albums followed the success of Another Morning, winning 12 more ECMA’s, another Juno nomination, a Canadian Folk Music Award and 5 Music Nova Scotia Awards. Each album was a snapshot of each thing that he can do. There are fiddle albums, Mandolin, Banjo, Guitar, tribute records, songwriting collections, a purely astounding spectrum of talent and musical vision.
His catalogue of recordings and the 150 or so records he’s produced on other artists, resemble the tapestry he weaves in live performance. Where he used to carry 3 and 4 piece bands, he tours alone now.
Just him and the instruments.
People still leave his shows confused, amazed and wondering what they just saw. Did they see a storyteller? A Songwriter? Arguably one of the best guitar players in the business today? Someone who crosses the lines between different instruments like there are no lines? Who was that masked man, anyway?
Accolades aside, and there are many from people like Chet Atkins, Marty Stuart, Waylon Jennings, Gordon Lightfoot; JP sees himself as just a performer. He’s shy, but has a razor sharp wit and lightning sense of humour. He can be reserved or edgy to the point no return. He speaks for soldiers, first responders, other artists, the forgotten and lost. He speaks sometimes only for himself and refuses rebuttal.
Of all the things he is, foremost he is an entertainer. I think one of the best. After you’ve seen what he does, I’m certain you will too.

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Lookout Tower
2022-09-30 20:00 - 22:00
Winter Swamp Music!
A groovy mix of bluesy rockers, soulful ballads and blizzard funks. Lookout Tower recorded their debut album ‘Smoke Over Sound’ last spring in a century old church in Forks Baddeck with the help of engineer Jamie Foulds. It captures the natural reverb of the room and with the session recorded with instruments live off the floor it’s got that live and raw feel which contributes to their sound.
The original songs are currently getting airplay on radio stations and the band is playing shows around the island to promote the release.
Rankin MacEachern on vocals, Bryan Picard on guitars and vocals, John Pinnington on drums and Franzi Habith on bass.
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Steve Poltz
2022-10-19 20:00 - 22:00
This is the story of Steve Poltz.
Some people start life with a plan. Not Steve. He opens himself up to the universe in a way most of us will never be loose enough to achieve, and the universe responds with a wink, a seemingly bottomless well of inspiration, and the talent to truly connect with an audience. While 2021 could have found him adrift, faced with a tour moratorium the likes of which he hadn’t experienced in decades, it opened a door — literally, his friend Oliver Wood of The Wood Brother’s door — to creating an exuberant, thoughtful batch of songs that celebrate life in all of its stages.
The resulting album is called Stardust & Satellites [Red House / Compass Records].
“I just make stuff up,” he exclaims, quipping, “it sounded good to say that.” Steve is the sort of prolific writer and collaborator who downplays what seems like a non-stop geyser of creativity. “I have no rhyme or reason for what I do. It’s all magic. I go by instinct. It just felt right, so I went with it.”
The “it” in question is one of those serendipitous situations that were created by the pandemic. Steve, a road dog and performance junkie who regularly spends 300+ days a year on the road, bringing it to the people, should’ve been on tour last year. Esteemed Nashville roots rockers The Wood Brothers (Chris Wood being a former neighbor to Steve), also should’ve been on tour. Stuck in Nashville, Steve often joined the Wood Brothers for outdoor socially distant hangs, and, on a whim, decided to record one song with Oliver Wood and Jano Rix.
They cut “Frenemy,” a wistful, “keep your friends close and your enemies even closer” song that made it clear to all involved that they’d stumbled onto something special. With no studio clock ticking, no schedule or deadlines to meet, the companionship and ability to collaborate with like-minded musicians added a joyful diversion to what was a boring-ass year. Musically, the sky was the limit, and the group of musicians and friends embarked on a musical experience that found cast and crew reaching toward the stratosphere with Stardust & Satellites, which Oliver and Jano Rix of The Wood Brothers produced.
The album begins with the lithe fingerpicking of “Wrong Town,” an anthem summing up the life of an itinerant songwriter/performer, where he declares, “The truth is I have no plan at all,” going on to cite Emmylou Harris and Don Was as his style icons. It’s a “pleased to meet me” sort of song, and it was written to greet the audience at the Telluride Bluegrass Festival in 2019. “I wanted to write an opening song,” Steve recalls.“I sat down with fellow Nashville songwriter Anthony da Costa, and ‘Wrong Town’ just appeared.”
But even gonzo guys have their moments where the cycle of life seems to be almost too much to bear. “Conveyor Belt” is a heartfelt song, a song that could only be written at a certain point in one’s life, and that point is when you’re saying goodbye to your parents and addressing your own mortality. Steve explains, “My mom passed away, and then a few years later my dad crossed over. I started thinking that I was next on the conveyor belt in a factory on the wheel of time. Next thing I know, I grabbed my guitar and this song appeared to me like a gift. It didn’t exist and then voila, there it was. I feel lucky to be a conduit.”
The song is written over a gentle, repetitive melody that moves along with the inevitability of ye old sands of time. For fans, it’s a different side of Steve, using a voice and a new solemnity for a song that touches a universal nerve.
On one of the last nights of the recording sessions, Steve locked himself up in his writing room and within an hour, had conjured the catchy, effervescent “Can O’ Pop,” destined to be the radio single.
“Jano from The Wood Brothers was leaving the studio, and I asked him to give me a beat, and I told him I’d write a song with the beat he gave me,” recalls Steve. The exuberant, syncopated groove seems to bubble up as Steve admits, in his best mid-period Dylan, “I want to feel the fizzy rhythm with you.”
“Hey, Everyone loves a can of pop” he cracks.
Among other highlights, “It’s Baseball Season” seesaws on a sunny acoustic guitar as he pays homage to America’s favorite pastime. Poltz is a true fan, and the song’s laid-back, relaxed vibe speaks of carefree days at the ballpark. Steve even pays tribute to legendary baseball announcer Ernie Harwell.
With a cult following that includes fellow musicians, regular folks and festival goers who stumble onto his performances, there’s no common denominator to Steve’s fans. Born in Halifax, Nova Scotia and raised in San Diego, CA Steve toured and recorded with San Diego cult favorites The Rugburns (they still play annual sold-out reunion shows). But it was through his creative partnership with Jewel that he vaulted into the national spotlight; co-writing her multiplatinum Billboard Hot 100-busting smash, “You Were Meant For Me,” and continues to work with her to this day.
Over the years, the Nashville-based troubadour has built a fascinating solo catalog, earmarked by his debut, One Left Shoe, Dreamhouse, Folk Singer, and 2019’s Shine On. No Depression crowned him, “A sardonic provocateur with a lighthearted acoustic-driven wit, suggesting at times a sunnier, less psychedelic Todd Snider, or maybe a less wan, washed Jackson Brown,” while the Associated Press dubbed him “part busker, part Iggy Pop and part Robin Williams, a freewheeling folkie with a quick wit and big heart.”
Among other collaborations, GRAMMY-winning bluegrass phenom Billy Strings tapped him to co-write “Leaders” on 2021’s Renewal and he’s co-written with Molly Tuttle, Sierra Hull, Nicki Bluhm, Oliver Wood and even Mojo Nixon.
He’s resumed his tour schedule, and when he comes to your town, he’ll say, as he does every night, “This is the best show I’ve ever played.” And hell, maybe it just is.
Ultimately, Steve never needed a plan.
He’s something of a natural, after all.

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Steve Poltz Redux
2022-10-20 20:00 - 22:00

A Very Very Cassie and Maggie Christmas
2022-11-25 20:00 - 22:00
Please RSVP at this link https://forms.gle/zdnKPFLmjmh66QkL6

“Cassie and Maggie… What an unbelievably gifted duo, the train is just gathering steam and leaving the station on these new stars. It is going to be a glorious journey, and it is already well-begun.” –Live Ireland Radio- Dublin, IR
From the deepest roots of Canada and its very earliest musical traditions come Nova Scotian sisters Cassie and Maggie, putting their own 21st Century stamp on the Celtic soundtrack of this nation. Exciting and innovative, their talent is surpassed only by the sheer joy they exude in performance. Alternating between Gaelic and English, traditional and contemporary, haunting and electrifying, the duo is nothing short of mesmerizing.
Born to a family of deep Nova Scotia roots and a rich musical history, the two have been enchanting audiences around the world with their unparalleled unity of strings, voices and fabulous percussive step dance. Theirs is the perfect balance between musical integrity and sheer entertainment as they seamlessly blend tunes passed down through generations of musicians with their own songwriting, borrowing from other writers, other genres and other eras.
They’re turning heads wherever they go – 2018 JUNO award nominees, Galaxie Radio Rising Star award winners, 17 Canadian Folk Music, East Coast Music and Music Nova Scotia awards and nominations, Female Singers of the Year by Live Ireland Radio, Female Vocal Album of the Year by Chicago Irish American News, and Album of the Year by NPR’s Celtic Connection – the list goes on.”
“Be it their foot percussion accompanying driving Nova Scotian sets, their perfect blend of sibling harmonies, added to a stunning interplay on various instruments, a musical evening spent with Cassie and Maggie is a great night, altogether” -Irish Music Magazine. Their new album, The Willow Collection “showcases not only their musical ability, but the depth and variety of their musicianship.”

“Nova Scotian sisters Cassie & Maggie are among the top musical acts in demand on the Irish/American/Canadian scene”
— Irish Music Magazine

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Hauler
2022-12-02 20:00 - 22:00
Seamlessly blending and bending roots, rock, and traditional Cape Breton Celtic music together into a hearty homemade soup that can dynamically have you hanging off every lyric – or knock you flat on your arse – Cape Breton’s contemporary Celtic trio Hauler has been simmering on the stove and are now ready to serve themselves up with the release of their upcoming debut album.
Familiar faces from saltwater funk trio Slowcoaster Steve MacDougall and Mike Lelievre have been sharing stages since long before they had any to play on, bringing hard-hitting pop-rock to the masses between Cheticamp and China for almost 20 years, and this represents a timely and natural return to their acoustic roots. Teaming up with fiddler Colin Grant, Instrumental Artist of the Year at the 2017 Canadian Folk Music Awards and a versatile musician who bounces between genres like a token fiddler should, the trio weaves traditional Irish and Scottish ballads, indie folk originals, and traditional and contemporary tune instrumentals with a modern acoustic approach that proves Cape Breton music can reassuringly re-invent itself.
HAULER IS:
Mike Lelievre | guitar/bass/vocals
Colin Grant | fiddle
Steven MacDougall | guitars/vocals

RG Schaller & The Peacemakers
2022-12-09 19:00 - 23:00
The Frolic and Folk is excited to announce that Rg Schaller and the Peacemakers are coming for an unforgettable evening of entertainment.
A unique 5 piece band on the rise in a sea of talent.
Also joining are singer/songwriters Duane Nardocchio and Sonnie Greening, as well as some very special guests.
Tickets available at door and online $20
Ages 19+

New Years Eve Eve with Pretty Archie
2022-12-30 21:00 - 23:30
This is for December 30th!

First come first serve. Not assigned seating. Doors open at 4PM
Midnight snacks, champagne, and swag included in your ticket price.
Ages 19+

Pinning down the sound of Cape-Breton-based quintet Pretty Archie has always been about as easy as catching a greased pig, but with the release of their new, self-titled album the band is confident that their unique mix of folk, Americana, bluegrass, Alt-Country, and East Coast music will appeal to a wider audience than ever before. Celebrating their tenth anniversary with what is arguably their finest work to date, the album was released on February 11, 2022 via Curve Music/Warner Music.
Pretty Archie, their sixth album, is one of which they are justifiably proud, for it represents a quantum leap forward in the evolution of the group’s sound. ”I feel each of our other records was a step ahead of the previous one, but this one is six steps ahead,” declares bassist/vocalist/songwriter Colin Gillis. “We are proud of everything we’ve put out, but this is at a different level.” ‘Familiar Feeling’ the first single from the album, is nominated for Canadian Folk Music Awards ‘Single of the Year’
Helping the group realize the formidable creative achievement that is Pretty Archie was internationally-acclaimed record producer and engineer Mark Howard, whose star-studded resume includes work with the likes of Bob Dylan, Willie Nelson, U2, Tom Waits, The Tragically Hip, Peter Gabriel, and more. Howard’s fortuitous recent relocation to Cape Breton allowed Pretty Archie to take advantage of his skills, and the band couldn’t be happier with the results.
To record Pretty Archie, Howard and the band set up shop in the rustic setting of an A-frame lakeside cottage in Cape Breton. Lead vocalist/songwriter/guitarist Brian Cathcart explains that “Mark is very much about the vibe of the room, and this worked out perfectly. We were in the house for two weeks, basically doing a song a day, and we did evening sessions that had a cooler relaxed feel.”
“It was all basically recorded live off the floor, with minimal overdubs,” adds Colin. “That’s something we had always wanted, and Mark was able to do that. There’s a certain ambiance and energy in recording that way.”
Describing the new album, Brian states “it is more focused, even though you still can’t quite put a finger on it. For us, it definitely has way more of a country vibe. This record leans more towards alternative country or Americana, rather than the super commercial country out there.”
The catchy “Reasons” is one of the tunes that changed considerably in the studio, as Brian explains. “Originally that was rather a ‘cry in your beer’ song, but Mark wanted it faster. He had the 808 drum machine rhythm and we just sped the tune up to that, so now it is short, sweet and punchy.” There’s a similar upbeat tone to “Familiar Feelings,” another song that showcases the band’s instrumental prowess.
Brian digs deep vocally on the haunting ballad “Feel It In My Bones,” while, at Howard’s suggestion, “Someone New” became a duet, featuring Austin-based Maritime honkytonker Whitney Rose, with the contrasting vocals adding real resonance. Brian is especially proud of “Maritime,” a song written right in the studio that features these poignant lyrics – ”If your heart breaks down, we’ll use mine. It is weathered and weary, but it is Maritime.”
Cathcart explains that “as a band, we wear our East Coast hearts on our sleeves. We are very proud of where we are from, but our focus now is exposing people internationally to our part of the world.” Gillis adds that “if you are genuine and true to yourselves, then people will attach themselves to that, no matter where you are from.”
Pretty Archie have long been regional favourites, with a stack of Music Nova Scotia and East Coast Music Award nominations to their credit. They are now looking globally, and with Pretty Archie they have an album ready for international prime time play. Do yourself a big favour and check it out.

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New Years Eve with Pretty Archie
2022-12-31 21:00 - 23:30
First come first serve. Not assigned seating. Doors open at 4PM
Midnight snacks, champagne, and swag included in your ticket price.
Ages 19+

Pinning down the sound of Cape-Breton-based quintet Pretty Archie has always been about as easy as catching a greased pig, but with the release of their new, self-titled album the band is confident that their unique mix of folk, Americana, bluegrass, Alt-Country, and East Coast music will appeal to a wider audience than ever before. Celebrating their tenth anniversary with what is arguably their finest work to date, the album was released on February 11, 2022 via Curve Music/Warner Music.
Pretty Archie, their sixth album, is one of which they are justifiably proud, for it represents a quantum leap forward in the evolution of the group’s sound. ”I feel each of our other records was a step ahead of the previous one, but this one is six steps ahead,” declares bassist/vocalist/songwriter Colin Gillis. “We are proud of everything we’ve put out, but this is at a different level.” ‘Familiar Feeling’ the first single from the album, is nominated for Canadian Folk Music Awards ‘Single of the Year’
Helping the group realize the formidable creative achievement that is Pretty Archie was internationally-acclaimed record producer and engineer Mark Howard, whose star-studded resume includes work with the likes of Bob Dylan, Willie Nelson, U2, Tom Waits, The Tragically Hip, Peter Gabriel, and more. Howard’s fortuitous recent relocation to Cape Breton allowed Pretty Archie to take advantage of his skills, and the band couldn’t be happier with the results.
To record Pretty Archie, Howard and the band set up shop in the rustic setting of an A-frame lakeside cottage in Cape Breton. Lead vocalist/songwriter/guitarist Brian Cathcart explains that “Mark is very much about the vibe of the room, and this worked out perfectly. We were in the house for two weeks, basically doing a song a day, and we did evening sessions that had a cooler relaxed feel.”
“It was all basically recorded live off the floor, with minimal overdubs,” adds Colin. “That’s something we had always wanted, and Mark was able to do that. There’s a certain ambiance and energy in recording that way.”
Describing the new album, Brian states “it is more focused, even though you still can’t quite put a finger on it. For us, it definitely has way more of a country vibe. This record leans more towards alternative country or Americana, rather than the super commercial country out there.”
The catchy “Reasons” is one of the tunes that changed considerably in the studio, as Brian explains. “Originally that was rather a ‘cry in your beer’ song, but Mark wanted it faster. He had the 808 drum machine rhythm and we just sped the tune up to that, so now it is short, sweet and punchy.” There’s a similar upbeat tone to “Familiar Feelings,” another song that showcases the band’s instrumental prowess.
Brian digs deep vocally on the haunting ballad “Feel It In My Bones,” while, at Howard’s suggestion, “Someone New” became a duet, featuring Austin-based Maritime honkytonker Whitney Rose, with the contrasting vocals adding real resonance. Brian is especially proud of “Maritime,” a song written right in the studio that features these poignant lyrics – ”If your heart breaks down, we’ll use mine. It is weathered and weary, but it is Maritime.”
Cathcart explains that “as a band, we wear our East Coast hearts on our sleeves. We are very proud of where we are from, but our focus now is exposing people internationally to our part of the world.” Gillis adds that “if you are genuine and true to yourselves, then people will attach themselves to that, no matter where you are from.”
Pretty Archie have long been regional favourites, with a stack of Music Nova Scotia and East Coast Music Award nominations to their credit. They are now looking globally, and with Pretty Archie they have an album ready for international prime time play. Do yourself a big favour and check it out.

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The Town Heroes Acoustic Show
2023-04-14 20:00 - 22:00, 2023-07-26 20:00 - 22:00
Whether a sweaty rock show or an intimate acoustic environment, The Town Heroes want you to be entertained.
Born and raised in small town Nova Scotia, Mike Ryan and Bruce Gillis have played together for the past 10 years — touring the world, releasing 5 critically acclaimed albums and winning an array of industry awards. Anthemic choruses, danceable arrangements, and tender falsettos highlight their catchy yet thoughtful songs. At heart, a perfect soundtrack for contemplating life with a bounce in your step.
Musically, the band blends their 90’s alt-rock influences with singer-songwriter stylings in the vein of Neil Young or Ryan Adams. On stage they move like intense caricatures – soaked in sweat, pushing every chord, note and beat to the limit. A structured wall of sound emerges; familiar yet distinctive. Camaraderie shows in their musicianship, their song-writing highlights what they are: friends playing music for the love of it, in it for the long haul.
The band released their sixth full length album Home during the summer of 2021.
Home is a concept album. The entirety of the storyline takes place over a two week period during a summer in Cape Breton. The 9 songs, told from 3 different perspectives, tell the chronological tale of coming home, youth, summer love, and ultimately lost love. A father — longing for what he left behind — returns to his hometown after moving to San Francisco for work. A young “local” boy falls for his daughter, a short romance ensues, and the romance dies upon her inevitable return home. The album captures the energy and spirit of a youthful summer and coming of age.

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Songstress Showcase
2023-05-12 20:00 - 22:00
Folksy, bluesy, soulful and a dash of the unexpected; three vocal powerhouses and Cape Breton based singer-songwriters come together to share their experiences of love, life and the feminine divine.

Angela Macdonald : Based in Sydney, NS, Angela MacDonald, is a singer-songwriter and guitar player whose music can be best described as indie/folk alternative. Following in the footsteps of her aunt, Rita MacNeil, who inspired her to write and invited her to share the stage on several occasions, she has performed as a solo artist and as one half of the duo Angel Station a name that captures the timeless essence of her powerful and haunting voice.

Sonnie Greening : As an emerging artist in the post-lockdown renaissance, Sonnie is evolving as a finger style player and newcomer to the stage, both solo and as a member of the Baddeck based band, The Brackish. Rooted in indie acoustic folk, Sonnie’s songwriting and big, bold sound has branched into blues with classic rock influence while her guitar styling compliments her melodic vocals and harmonies.

Abbey Mullendore : A Lake Ainslie born sensation, Abbey’s killer power rock vocals will take you right back to the 70s, so it’s no surprise that she has been reprising Stevie Nicks, note for note, in the Classic Albums Live tour in addition to her solo work as a songwriter and dynamo duo with her brother. Her mushrooms might not be magical, but her voice is!

Mike McKenna Jr.
2023-06-02 20:00 - 22:00
2021 East Coast Music Award Winner Singer-songwriter Mike McKenna Jr. has emerged on the Canadian music scene with a raspy, soulful, intimate voice, his distinct indie folk/Americana tones, and songs laden with captivating storytelling. Originally from Cape Breton Island, he continues to bring us the nostalgia of his home through carefully chosen narrative, poetry, protest, and true stories about life and death in Nova Scotia’s coastal, working-class communities. Known for his powerful lyricism and intricate musicianship, Mike’s newest record At The Edge of the World (2020) continues to be met with incredible support both in Canada and internationally.
In just over a year since it’s release, Mike’s sophomore album has received a long list of awards and nominations; WINNER of the Rising Star Recording of the Year by the 2021 East Coast Music Awards (along with nominations for for Contemporary Roots Recording of the Year and Fan’s Choice Video of the Year), nominee for Contemporary Album of the Year by the 2021 Canadian Folk Music Awards, nominee for Americana/Bluegrass Recording of the Year by the Music Nova Scotia Awards, and nominee for 2020 Album of the Year by Blues and Roots Radio. It was also listed on the Bluegrass Situation’s ‘Class of 2020 Playlist, Absolute Best of this Year’s Roots Music Releases’.
Several songs from the record have received high-profile features and recognition, including Spotify Editorial playlists Renegade Folk and Contemporary Folk, Mahogany Sessions’ Acoustic Coffeehouse and Chilled Folk Vol. 3, The Bluegrass Situation’s ‘Mixtape’, Americana UK, Exclaim!, Canadian Beats, Roots Music Canada, The East and many more. Two songs from ATEOTW finished as semi-finalists in the world’s largest songwriting contest, ISC (International Songwriting Competition); the opening song and title track At the Edge of the World in 2019 and the 7th song of the album, High Ground in 2020!
Produced by Berklee graduate, Victoria’s Quinn Bachand (Rosier, Kittel & Co, Brishen), At the Edge of the World delivers a wider, fuller sound than Mike’s previous records, lead by his incredibly raw, confident vocals and surrounded by a beautiful mix of electric and pedal-steel guitar, electric bass, vocal harmonies, strings, piano and drums. During post-production it would then pass through the talented hands of Canada’s top analog specialists; mixing engineer Jon Anderson (Andy Shauf, Rosier, Foxwarren) and Grammy-nominated mastering engineer, Juno/Polaris winner Philip Shaw Bova (Father John Misty, Feist, Bahamas).

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Ria Mae
2023-06-21 20:00 - 22:00
Ria recently had her collaboration “Too Close’ with Canadian singer Dan Talevski certified Platinum, having garnered over 15 million streams on Spotify and counting.
Since the June 2016 release of her full length, self-title album, the three-time JUNO nominee, and multi-platinum selling artist has toured Europe with Tegan and Sara, North America with Dido, and Canada with Scott Helman. She has performed with Elle King, Xavier Rudd, Shawn Hook, Family of the Year, Francesco Yates, Coleman Hell and more.
Ria has enjoyed radio chart success in Canada with platinum certified singles, ‘Clothes Off, Ooh Love, and ‘Bend’, and her songs have been streamed over 70 million times worldwide.

“Amazing show! A great combo of new and old songs. Lots of audience interaction – she even came off stage into the crowd to dance with us! Great lyrics and dance beats. Always a fun show to see Ria!” – loriesen

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Willie Stratton
2023-07-05 20:00 - 22:00
For more than a decade now, Willie Stratton has been building his good name on stellar sonic shape-shifting and a charismatic, super charged live show. The Halifax-based singer-songwriter has proven time and again that he can dive into any of rock ‘n’ roll’s various iterations—heartsick blues, twanged-up country, hip-shaking rockabilly, groovy surf, anything and everything in between—and emerge, again, as a maestro of the style.
But on his latest album Stratton seeks synthesis: Drugstore Dreamin’ finds him playing alchemist, melting down the myriad sounds he’s mastered over the years to create singular sonic gold.
As Stratton deftly weaves and mixes musical forms, Drugstore Dreamin’s intoxicating concoction brings his timeless songwriting to the forefront.

David Francey
2023-07-12 20:00 - 22:00
“Francey’s clear, simple songs speak volumes to his followers. After a decade in music, David Francey is known as one of Canada’s finest tunesmiths and a champion of the Everyman, admired for his less-is-more approach to writing. It’s amazing how he manages to address deep stuff with such spare ingredients” – The Edmonton Journal

David Francey is a Scottish-born Canadian carpenter-turned-songwriter, who has become known as “one of Canada’s most revered folk poets and singers” (Toronto Star). Born in Ayrshire, Scotland to parents who were factory workers, he moved to Canada when he was twelve. For decades, he worked across Canada in rail yards, construction sites, and in the Yukon bush, all the while writing poetry, setting it to melodies in his head and singing it to himself as he worked.
A truly authentic folk singer, Francey is a documentarian of the working person who never imagined earning a living from his music. But when he was in his 40s, his wife, artist Beth Girdler, encouraged him to share his songs and sing in public. The reaction was instant. His first album Torn Screen Door came out in 1999 and was a hit in Canada. Since then, he has released eleven albums, won three Juno Awards and has had his songs covered by such artists as The Del McCoury Band, The Rankin Family, James Keelaghan and Tracy Grammer.
Francey also had the honour of receiving the prestigious SOCAN Folk Music Award as well as taking home the Grand Prize in both the International Acoustic Music Award and in the Folk category for the John Lennon Songwriting Award.
“David’s straightforward songs tell honest stories of real people and real places. Poetic perception and a keen eye for the heart of the matter are trademarks of the man and his music. His songs and stories are a direct connection for audiences seeking depth and meaning in the day-to-day.” Shelter Valley Folk Festival
David Francey was born in Ayrshire, Scotland where he got his first taste of the working life as a paperboy. At age 10 he was devouring the newspapers he delivered, establishing a life-long interest in politics and world events while developing the social conscience that forms the backdrop of his songs.
He was twelve when his family immigrated to Toronto. He says he can trace his love of the land, the history, and the people of his adopted country to weekend family drives exploring southern Ontario. Music played a large part in these family outings. They sang traditional Scottish tunes as they drove through the Canadian countryside. Dad and sister Muriel sang melody, while mother and David sang harmonies.
His attachment to Canada grew with travel. He hitched across the country three times, then thumbed his way to the Yukon. This attachment surfaces in his songs of rail lines, farms, and the St. Lawrence Seaway. He grew to understand the people while working in Toronto train yards, the Yukon bush, and as a carpenter in the Eastern Townships. These experiences colour his first CD, Torn Screen Door, with songs like Hard Steel Mill, Gypsy Boys, and Working Poor and his second, Far End of Summer, with Highway, Flowers of Saskatchewan and February Morning Drive.
In concert David is a singer and a storyteller. His wry humour and astute observations combined with his openhearted singing style have earned him a loyal following.
David lives with his wife, artist Beth Girdler in the quiet but charming Lanark Highlands in southern Ontario. They are visited often by their son Colin, daughters Amy and Julia and grandkids Tristan, Alice and Millicent.
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Carleton Stone
2023-07-19 20:00 - 22:00
There’s a fantasy about show business that we’ve been fed since performers started offering up their hearts on stage for public consumption. The glamour, the jetsetting, and the parties all get played up over the reality of the whole thing: a career that seeps into your real life and can dismantle your relationships, the exhaustion of the road, and more than a few hangovers. On his third solo album, the self-produced Papercut—armed with a couple lifetimes of songwriting and touring in his rear view mirror—Carleton Stone gets honest about the toll of devotion to craft while illustrating his mastery of it. Through sax-blasted Americana, power-pop laced with ‘80s synth, and dreamy, sophisticated pop melodies, the Nova Scotia songwriter blurs genres to explore a tumultuous few years and some of the scariest questions someone can ask: what the hell have I done? What if I’d gone down some other path?
Carleton took a break from his award-winning solo career when he became a founding member of Port Cities. The band released music and successfully toured nonstop for five years before the world ground to a halt. During lockdown, Carleton worked to hone his skills as a producer and in 2021, Carleton produced Willie Stratton’s Drugstore Dreamin’ (2022) along with his own record.
An outstanding writer, Carleton has written songs for and with such diverse artists as Donovan Woods, Classified featuring Snoop Dogg, Ria Mae, Bobby Bazini, and Neon Dreams. Carleton has three solo albums to his credit and has toured internationally for the better part of the last decade.

Lucy MacNeil with Rob Durando, Boyd MacNeil & Lisa MacArthur
2023-08-02 20:00 - 22:00
Lucy MacNeil is a singer, multi instrumentalist and step dancer from Cape Breton Island. She plays Fiddle, Celtic Harp, and Bodhran. Lucy has been performing with the Barra MacNeils for more than 36 years. They come from a long tradition of Cape Breton music and dance that has been the foundation of their creative pursuits over their musical career.
Alongside her brothers she has travelled to Europe, Scotland, England, Wales, Ireland, the United States, Barbados, throughout Canada from Fogo Island, Nfld. to Iqualuit to Vancouver island.
The Barras recorded their first self titled album in 1986 and have continued making music, touring and recording throughout the years. During the 1990’s they were signed with record label Poly Dor and Opened for Celine Dion, Kenny Rogers and were special guests on two of Rita MacNeils’ Christmas specials.
In 2015 Lucy was one of the artists in residence for the “Celtic Colours International Music Festival”. Here she was paired with Liz Doherty from Buncrana, Ireland to help select musicians and musical selections together for performances during the festival. It was a wonderful experience for both Lucy and the audiences who came to Celtic Colours and those that watched the online streaming shows.
In 2014 and 2017 Lucy was a special guest with Symphony Nova Scotia for their Rita MacNeil tribute concert with guests The Men of the Deeps. In 2021 she was invited back for the Symphony Nova Scotia Fusion sessions. For these three concerts she performed with conductor Scott MacMillan, Symphony Nova Scotia.
Lucy has also teamed up with Bette MacDonald, Jenn Sheppard and Heather Rankin as The Island Girls. They toured the Maritimes in 2022 to enthusiastic audiences and look to do more dates in the future.
During the pandemic which was a very quiet time for many Lucy started working on a solo album. Something she had wanted to do but the time never presented itself. She also felt in these uncertain times watching a world that was going through immense change and upheaval she wanted to leave something behind of herself and her lifetime attachment to traditional music and song.
In October of 2021 Lucy released her first single “Hope For One and All” and is now looking at a release date for her album,
“Angels Whisper” early this summer.

Quote the Raven
2023-08-09 20:00 - 22:00
Quote the Raven’s sophomore record Can’t Hold the Light has been almost three years in the making. After an impromptu trip to AmericanaFest in 2019, the sounds filling the Nashville streets lit a fire for what would be the duo’s journey into the Americana genre. A collection of songs written with friends all across Canada, this album is a combination of country jams, folk storytelling, heart warming and wrenching ballads, and a glimpse into the life of touring musicians.
Despite delaying the release of their record until the Fall of 2021 Quote the Raven continued to work onward and upward since their album Golden Hour released in 2018. They’ve toured around Canada, performed in Germany, Trinidad, and in the US. They’ve been nominated for an ECMA and awarded the 2019 MusicNL Group the the Year. Their music has been streamed over one million times and featured in international film and television. The first three singles from the album have all charted in the top 100 on the BDS and TRAX
Canadian Country Charts and have been featured on SiriusXM radio in the top 40.
Quote the Raven blend haunting harmony and quick-witted comedy into their East-Coast meets Americana songwriting leaving audiences with a smile on their face and a tear in their eye.

Dave Sampson
2023-08-15 20:00 - 22:00
Dave Sampson writes heart-on-your-sleeve folk/pop songs, delivered with a captivating and
authentic voice that could blow down a brick house. His knack for crafting simple ear-worms
and his high-energy shows have been winning him fans across Canada. He has collaborated
and shared the stage with some of Canada’s top exports such as Classified, Alan Doyle,
Donovan Woods, and more. His 2019 EP All Types of Ways, produced and recorded by
Grammy award-winning songwriter Gordie Sampson in Nashville, TN, earned him two 2020
ECMAs for Country Recording and Rising Star Recording of the Year, as well as a
nomination for Songwriter of the Year. The album features several singles which received
hundreds of thousands of streams on DSPs, were added to many editorially-curated
playlists, and were placed in several national television series and advertising campaigns.
In 2014, Dave released his anticipated debut album “No Pressure, No Diamonds” with
producers/collaborators Carleton Stone, Gordie Sampson and Dylan Guthro (Port Cities).
With the release of this album, “ No Pressure No Diamonds” was nominated for Music Nova
Scotia’s Pop Album of the Year, reached #1 on the East Coast Countdown charts twice and
received national airplay throughout Canada. Dave was also invited to Germany in 2014 with
songwriters Carleton Stone and Breagh Mackinnon to participate in a songwriting retreat
followed by a tour.
Fast forward to 2015, his song “No Pressure, No Diamonds” was interpolated by Canadian
Hip Hop icon Classified and released as his first single (“No Pressure”) on the billboard
charts via Atlantic Records. “No Pressure’ features hip-hop legend Snoop Dogg, and was
awarded Gold Record status by Music Canada. Dave also received a songwriting nod on
Classifieds “Oh No” track on his album “Grateful”, and Neon Dreams’ singles “Find a Way” &
“Love Experts” which made it to the billboard EDM top 40.
Dave has also been hand-picked as one of Nova Scotia’s most promising young songwriters
to take part in the prestigious, invitation-only Gordie Sampson Song camp for the past 10
years. Through this opportunity, he has been fortunate enough to collaborate with some of
Canada’s most sought after writers: Gordie Sampson, Caitlyn Smith (Nashville), Sam Ellis
(Nashville), Thomas AWG Salter (TAWGS), and many more.

“Heartfelt, energized and emotional, Dave Sampson has obvious natural talent as a Maritime singer-songwriter.
Recommended for fans of Joel Plaskett, David Myles and Hawksley Workman. ” – Grant Lawrence (CBC Music)

“Not only is Dave Sampson a fantastic singer/songwriter, but his live performance during both shows (as a band
and as a solo artist) was second to none. The level of comfort that he and his band have on stage oozes with
every movement made.” – HalifaxBloggers.ca @ EAST COAST MUSIC WEEK 2016

“Dave Sampson writes a great, heartfelt pop song and has a warm, inviting, laid-back style that will no doubt
appeal to a wide cross-section of people. It’s not hard to imagine his music lighting up the radio and drawing
crowds” – The Scope, St. John’s, NL

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Dave Sampson Redux
2023-08-16 20:00 - 22:00

Mo Kenney
2023-08-23 20:00 - 22:00
Kenney’s willingness to unflinchingly pursue their artistic impulses on their own terms has resulted in numerous accolades over the past decade, including a SOCAN Songwriting Prize, a nomination for Juno Adult Alternative Album of the Year, and too many East Coast Music Awards and Nova Scotia Awards to count.
2021’s “Covers”, was an acoustic collection that offered a glimpse into the molecular musical composition of the artist interpreting them. 2022 release, “With You”, was written, played, and produced by Kenney alone. 2023 will see the release of a new album of original material.
One of the most refreshing things about Kenney is that their performance and stories are completely raw. Their distinctive vocals and outstanding guitar playing are intensified by the simplicity, their songs relatable yet mysterious. A unique singer-songwriter, Mo’s music has been described as both folk and pop.
2023 touring includes the US, the UK, Europe and Canada.

Songwriters Circle
2023-09-22 20:00 - 22:00
Steve MacIntyre is a singer/songwriter from Cape Breton Island. Describing the things that move him well enough that they move you is his greatest pleasure.
“Steve MacIntyre is a rare original. He brings you in, effortlessly, to an intensely personal place you may not have expected, with his heart on his sleeve and a huge, bear hug of a voice.” – Jamie Foulds, producer
Telling stories of love, loss, and life, Steve takes you on a journey; one that is dripping with images of the east coast. The good and the bad take equal footing in Steve’s songs. They are songs that describe the things common to the human experience and do so through beautifully crafted words and music.
Aaron MacDonald
Out of the woods of Mabou, a town that beats in the musical heart of Cape Breton, comes the soulful, ever captivating, Americana singer Aaron MacDonald. It’s this small-town lifestyle that inspires songs for this ECMA nominee. Aaron’s matured blend of country and rock, all lovingly leaning towards roots and blues, carries the feel of familiarity while experiencing new songs for the first time. The authenticity of MacDonald’s live performances is magically captured as he lays out his life’s story with each song. His music comes across as something between the rhythmic soul of Nathaniel Rateliff mixed with the superb simplicity of John Prine.
Named as one of CBC Music Searchlight’s Top 100 Emerging Artists, showcasing at ECMA 2022, nominated for NSMW 2022 Americana Album of the Year, spots at the 2023 Stan Rogers Folks Festival and Halifax Urban Folk Festival, this seasoned songwriter is making his mark.
Woody Woodburn
Born & raised in Mississauga, ON, Canada, Woody cut his teeth on the Canadian music industry with his band in the mid 90’s. Drawn to the small town lifestyle of his roots in Cape Breton, NS, he now calls his home Rockwood, ON. After many years struggling to find a place in the corporate world, he has now found a renewed passion & love for music and will not let anything stand in his way. The music is much more than Top 40. The kind of melodies that linger in your head well after you’ve heard them. He gives life to your own struggles. Like listening to an old friend. Woody is an unassuming, humble guy that will surprise you with his powerful voice. A voice that combined with the real & “come from the heart” lyrics will leave you more hopeful & inspired in your life.
Steve Luxton
Blurring the lines between alternative rock and roll and renegade folk, Steve Luxton captures moments in time and frames them in captivating melodies and haunting harmonic changes. Steve draws his sound from classic lyrical greats like Willie Nelson, the neo-modern country sounds presented by artists such as Sturgill Simpson, and the soulful energy & grooves of artists like the Bahama’s. Steve’s unique sound and high energy performances are quickly winning over audience members across the East Coast of Canada.

Lookout Tower
2023-09-29 20:00 - 22:00
Winter Swamp Music!
A groovy mix of bluesy rockers, soulful ballads and blizzard funks. Lookout Tower hails from Cape Breton Island, Nova Scotia. Their debut album ‘Smoke Over Sound’ was recorded live off the floor last spring in a century old church in Forks Baddeck and their upcoming follow-up album ‘Fields’ was recorded this winter in a 125-year old farmhouse across the street. This release is a sonically exciting and diverse collection of original songs about the places we leave, and how we perceive the passage of time.
Vocals / Rankin MacEachern
Guitars, vocals / Bryan Picard
Bass, vocals / Franzi Habith
Drums / John Pinnington

Joel Plaskett
2023-10-06 20:00 - 22:00
From rocking Halifax’s Marquee Club to performing for the masses at Massey Hall or touring the country with his father, Joel Plaskett has forged a reputation as one of Canada’s most engaging performers and respected singer-songwriters.
Plaskett’s songs are a perennial part of the national playlist, a fixture on “best of” lists, and the soundtrack to the lives of faithful fans across the country and around the world. His accolades over a quarter century include a Juno, numerous East Coast Music, Canadian Folk and Music Nova Scotia awards, and two Polaris short list nominations.
Plaskett’s new project, 44, is his most detailed musical weave yet. A sprawling box set comprised of four, 11-song albums connected visually and thematically, at its heart 44 is an imaginative rumination on trying to slow down and grow up in a rapidly accelerating world.

Plaskett began his musical career in the early 1990s as a member of alt-rock favourites Thrush Hermit, recruiting lifelong fans as the band toured North America in a half-size school bus, setting up their signature neon ROCK & ROLL sign from show to show.
In the early 2000s, Plaskett started touring under his own name with his band, The Emergency (featuring Dave Marsh on drums since 1999, and for the last 14 years, Chris Pennell on bass). Backed by the Emergency and racking up a growing roster of anthemic singalongs, Plaskett worked his way up from small clubs to opening for Paul McCartney and the Tragically Hip, and filling larger venues with his own devoted audience.
Plaskett is a versatile and ever-evolving artist, at turns delivering intimate and idiosyncratic singer-songwriter fare (In Need of Medical Attention, La De Da, The Park Avenue Sobriety Test); incendiary riff-rock (Down at the Khyber, Truthfully, Truthfully), left-leaning folk rock (Solidarity), as well as conceptual epics and off-kilter feats of musical stamina (Ashtray Rock, Three, Scrappy Happiness, 44).
Recorded to analog tape, Plaskett’s records reflect his attention to detail, his dedication to technique, musical history and craft, and a sincere and inimitable lyrical style that runs through his diverse and ever-expanding catalogue.
In addition to producing most of his own records since 1999, Plaskett has also set up shop behind the console at his New Scotland Yard studio in downtown Dartmouth, N.S. His work with artists like Jimmy Rankin, Two Hours Traffic, David Myles, Sarah Slean, Shotgun Jimmie, Dennis Ellsworth, Old Man Luedecke, Dave Marsh, Colleen Brown and longtime collaborator Mo Kenney has led to numerous awards for production, and turned New Scotland Yard into a popular destination for artists looking to develop and document their sound.
In front of the studio is The New Scotland Yard Emporium, where Plaskett has partnered with Halifax mainstay Taz Records to bring a curated selection of records to his adopted hometown, providing a spot where music fans can congregate to grab a coffee or beer while they dig for records.
In a world increasingly connected—and disconnected — by digital mediums, Joel Plaskett prefers to make his connections the old-fashioned way, building community at his studio and shop, dedicating himself to the art and authenticity of songwriting and analog recording processes, and moving audiences with the electrifying, uplifting experience of live performance.
In all aspects of his work, Plaskett embraces both the communal and individual experiences music provides. The ways music and words combine to connect with the listener, turning a minute into a moment out of time, reminding us that we aren’t alone.

Joel Plaskett Redux
2023-10-27 20:00 - 22:00

Abbey Mullendore, Steve Luxton & Russ Mathews
2023-11-17 20:00 - 22:00
Abbey Mullendore is a Cape Breton born and bred singer-songwriter. Raised in a musical family, Abbey’s passion for music and singing began at a very young age. Her style and sound has been influenced by a wide range of female powerhouse artists and bands such as: Fleetwood Mac, Heart, Carole King, Bonnie Raitt, Janis Joplin, Alanis Morissette, and many more. Her sound is often compared to that of vocalists such as Stevie Nicks, Janis Joplin, and Ann Wilson.
Over the past few years, Abbey’s journey in music has taken shape into more of a profession. She has played in many establishments and events across Nova Scotia including The Careltone (Halifax), Strathspey Place (Mabou), with Boardwalk Productions @ Bella Rose Theatre (Halifax), Blueberry Jam Festival (Mabou), as well as opening for acts such as Ashley MacIsac and Jimmy Rankin. Her most recent musical achievement has been performing the lead vocal role of Stevie Nicks with Classic Albums Live’s Fleetwood Mac ‘Rumours’ show across Canada and the US in venues such as Massey Hall (Toronto), National Arts Centre (Ottawa), and Hard Rock Live (Orlando).
Meet Steve Luxton, an alternative folk-rock singer whose music transcends boundaries and resonates with the human experience. With a captivating blend of soulful lyrics and haunting melodies, Steve Luxton weaves tales of introspection and emotion, inviting listeners into a world of sonic storytelling.

Russ Mathewsis a rising singer-musician known for his soulful melodies and crowd pleasing songs. Hailing from the heart of Cape Breton, his music combines folk and country influences, creating a fresh, authentic sound that resonates with audiences accross the Island. With a guitar in hand and a heart full of stories, Russ is making his mark on the music scene, one heartfelt note at a time.

New Years Eve EVE with Pretty Archie
2023-12-30 21:00 - 23:30
THIS IS FOR DECEMBER 30TH. Tickets include admission, midnight snacks, swag, champagne and whatnot.

Cape Breton Americana band Pretty Archie to released their 6th studio album to mark and celebrate 10 years together
Long time friends Brian Cathcart (Lead Vocals, Guitar), Matt McNeil (Mandolin, Guitar), Colin Gillis (Harmonica, Bass, Vocals), Redmond MacDougall (Banjo, Percussion, Vocals) and Scott MacLean (Guitar, Mandolin) starting performing together in 2012. The band’s name is a nod to a Cape Breton local who embodied the love of playing and performing music. No matter where they tour or travel, Pretty Archie will always be representing their hometown.
Pretty Archie, their sixth studio album, is one of which they are justifiably proud. It represents a quantum leap forward in the evolution of the group’s sound. ”I feel each of our other records was a step ahead of the previous one, but this one is six steps ahead,” declares Colin Gillis. “We are proud of everything we’ve put out, but this is at a different level.”
Pinning down the ‘Pretty Archie sound’ hasn’t always been easy. Their style has incorporated elements of bluegrass, folk, country, and had that ‘East Coast vibe’. Describing the new album, Brian states “it is more focused, even though you still can’t quite put a finger on it. For us it definitely has way more of a country vibe. This is an alternative country or Americana-style…”
Helping the group realize the formidable creative achievement that is Pretty Archie was internationally-acclaimed record producer and engineer Mark Howard, whose star-studded resume includes work with the likes of Bob Dylan, Willie Nelson, U2, Tom Waits, The Tragically Hip, Peter Gabriel, and more. Howard’s fortuitous recent relocation to Cape Breton afforded Pretty Archie the opportunity to take advantage of his skills, and the band couldn’t be happier with the results.
“It was all basically recorded live off the floor, with minimal overdubs,” adds Colin. “That’s something we had always wanted, and Mark was able to do that. There’s a certain ambience and energy in recording that way.”
With every record and tour Pretty Archie carries a little piece of home a bit farther afield. Since their 2013 debut album, Steel City, the band have built an ever- larger following on the east coast, across Canada and are now set to continue growing their International audience.
Cathcart explains that “as a band, we wear our East Coast hearts on our sleeves. We are very proud of where we are from, but our focus now is exposing people internationally to our part of the world.” Gillis adds that “if you are genuine and true to yourselves, then people will attach themselves to that, no matter where you are from.”
Pretty Archie have long been regional favourites, with a stack of Music Nova Scotia and East Coast Music Award nominations to their credit. They are now looking globally, and with Pretty Archie they have an album ready for international prime time play.
The upbeat and joyous “Familiar Feeling” and catchy “Reasons” showcase the band’s instrumental prowess, while Brian digs deep vocally on the haunting ballad “Feel It In My Bones.” At Howard’s suggestion, “Someone New” became a duet, featuring Austin-based Maritime honky-tonker Whitney Rose, and the contrasting vocals add real resonance. Brian is especially proud of “Maritime,” a song written right in the studio that features these poignant lyrics – ”If your heart breaks down, we’ll use mine. It is weathered and weary, but it is Maritime.”
Pretty Archie’s genuine, heartfelt writing connects listeners with a saltwater perspective on modern living. Their fun loving and at times heartbreaking music finds common ground in the blurred genres of Country, Folk, Bluegrass and Americana. Their unique sound and energetic shows leave listeners with a lasting memory.
QUOTES:
“It is hard to pigeonhole Pretty Archie. It encompasses an uplifting myriad of (but not limited to) hillbilly country, blues, bluegrass and folk. Throw a banjo, harmonica and mandolin in and together the foursome offers a different brand of music, a relentless, raw, uncontrived mash of genres that is distinctly Pretty Archie” -Andrew Rankin (Cape Breton Star)
“Cape Breton, Nova Scotia has a well known reputation for creating great musical talent. From The Rankin Family to Ashley MacIsaac to the late Rita MacNeil, this artistic hotbed on the country’s East Coast has produced some of Canada’s best musicians. From this proud region now comes Pretty Archie, a folk-bluegrass-country group from Cape Breton that will impress audiences with their strong chops…..With their impressive blend of folk, blues, bluegrass and country this band has produced a great sound that is oodles of fun to listen to” – Alejandro Bustos (Apt613.com, Ottawa)
“While Pretty Archie’s music blurs the lines between multiple genres, all the ingredients of their sound have been nurtured by the setting they grew up in.” – FYI Music News, Jason Schneider
“Pretty Archie always finds some way to encourage listeners to take lean times in stride, suck it up, stick it out and just keep going!” – BuzzMusic
Awards & Recognition:
5x Music Nova Scotia Awards nominations
3x East Coast Music Association nominations:
Country Album of the Year; North End Sky and Sing Alongs & Love Songs Roots Album of the Year; Running for Cover
Notable Appearances Include:
The Grey Cup Festival (Ottawa ON), Rogers Hometown Hockey (Dartmouth and Sydney NS), Sudbury Festival of Lights Boreal (Sudbury, ON), Celtic Colours (Halifax, NS) Stan Rogers Folk Festival (Canso, NS), Roots Night at Royal Botanical Gardens (Burlington, ON), The Ironwood (Calgary, AB), The Dakota Tavern (Toronto, ON), Writers at Woody Point (Woody Point NL), Tonder Festival (Denmark), Celtic Connections (Glasgow, Scotland).
Showcase Festivals & Conferences: Folk Alliance International, AmericanaUK Fest, Contact East, Nova Scotia Music Week, East Coast Music Week, Folk Music Ontario, NXNE and OSAC.
Discography:
Pretty Archie (2022)
Running For Cover (2020)
Hanging On (2019)
Sing Alongs & Love Songs (2016)
North End Sky (2015)
Steel City (2013)

New Years Eve with Pretty Archie
2023-12-31 21:00 - 23:30
Tickets include admission, midnight snacks, swag, champagne and whatnot.

Cape Breton Americana band Pretty Archie to released their 6th studio album to mark and celebrate 10 years together
Long time friends Brian Cathcart (Lead Vocals, Guitar), Matt McNeil (Mandolin, Guitar), Colin Gillis (Harmonica, Bass, Vocals), Redmond MacDougall (Banjo, Percussion, Vocals) and Scott MacLean (Guitar, Mandolin) starting performing together in 2012. The band’s name is a nod to a Cape Breton local who embodied the love of playing and performing music. No matter where they tour or travel, Pretty Archie will always be representing their hometown.
Pretty Archie, their sixth studio album, is one of which they are justifiably proud. It represents a quantum leap forward in the evolution of the group’s sound. ”I feel each of our other records was a step ahead of the previous one, but this one is six steps ahead,” declares Colin Gillis. “We are proud of everything we’ve put out, but this is at a different level.”
Pinning down the ‘Pretty Archie sound’ hasn’t always been easy. Their style has incorporated elements of bluegrass, folk, country, and had that ‘East Coast vibe’. Describing the new album, Brian states “it is more focused, even though you still can’t quite put a finger on it. For us it definitely has way more of a country vibe. This is an alternative country or Americana-style…”
Helping the group realize the formidable creative achievement that is Pretty Archie was internationally-acclaimed record producer and engineer Mark Howard, whose star-studded resume includes work with the likes of Bob Dylan, Willie Nelson, U2, Tom Waits, The Tragically Hip, Peter Gabriel, and more. Howard’s fortuitous recent relocation to Cape Breton afforded Pretty Archie the opportunity to take advantage of his skills, and the band couldn’t be happier with the results.
“It was all basically recorded live off the floor, with minimal overdubs,” adds Colin. “That’s something we had always wanted, and Mark was able to do that. There’s a certain ambience and energy in recording that way.”
With every record and tour Pretty Archie carries a little piece of home a bit farther afield. Since their 2013 debut album, Steel City, the band have built an ever- larger following on the east coast, across Canada and are now set to continue growing their International audience.
Cathcart explains that “as a band, we wear our East Coast hearts on our sleeves. We are very proud of where we are from, but our focus now is exposing people internationally to our part of the world.” Gillis adds that “if you are genuine and true to yourselves, then people will attach themselves to that, no matter where you are from.”
Pretty Archie have long been regional favourites, with a stack of Music Nova Scotia and East Coast Music Award nominations to their credit. They are now looking globally, and with Pretty Archie they have an album ready for international prime time play.
The upbeat and joyous “Familiar Feeling” and catchy “Reasons” showcase the band’s instrumental prowess, while Brian digs deep vocally on the haunting ballad “Feel It In My Bones.” At Howard’s suggestion, “Someone New” became a duet, featuring Austin-based Maritime honky-tonker Whitney Rose, and the contrasting vocals add real resonance. Brian is especially proud of “Maritime,” a song written right in the studio that features these poignant lyrics – ”If your heart breaks down, we’ll use mine. It is weathered and weary, but it is Maritime.”
Pretty Archie’s genuine, heartfelt writing connects listeners with a saltwater perspective on modern living. Their fun loving and at times heartbreaking music finds common ground in the blurred genres of Country, Folk, Bluegrass and Americana. Their unique sound and energetic shows leave listeners with a lasting memory.
QUOTES:
“It is hard to pigeonhole Pretty Archie. It encompasses an uplifting myriad of (but not limited to) hillbilly country, blues, bluegrass and folk. Throw a banjo, harmonica and mandolin in and together the foursome offers a different brand of music, a relentless, raw, uncontrived mash of genres that is distinctly Pretty Archie” -Andrew Rankin (Cape Breton Star)
“Cape Breton, Nova Scotia has a well known reputation for creating great musical talent. From The Rankin Family to Ashley MacIsaac to the late Rita MacNeil, this artistic hotbed on the country’s East Coast has produced some of Canada’s best musicians. From this proud region now comes Pretty Archie, a folk-bluegrass-country group from Cape Breton that will impress audiences with their strong chops…..With their impressive blend of folk, blues, bluegrass and country this band has produced a great sound that is oodles of fun to listen to” – Alejandro Bustos (Apt613.com, Ottawa)
“While Pretty Archie’s music blurs the lines between multiple genres, all the ingredients of their sound have been nurtured by the setting they grew up in.” – FYI Music News, Jason Schneider
“Pretty Archie always finds some way to encourage listeners to take lean times in stride, suck it up, stick it out and just keep going!” – BuzzMusic
Awards & Recognition:
5x Music Nova Scotia Awards nominations
3x East Coast Music Association nominations:
Country Album of the Year; North End Sky and Sing Alongs & Love Songs Roots Album of the Year; Running for Cover
Notable Appearances Include:
The Grey Cup Festival (Ottawa ON), Rogers Hometown Hockey (Dartmouth and Sydney NS), Sudbury Festival of Lights Boreal (Sudbury, ON), Celtic Colours (Halifax, NS) Stan Rogers Folk Festival (Canso, NS), Roots Night at Royal Botanical Gardens (Burlington, ON), The Ironwood (Calgary, AB), The Dakota Tavern (Toronto, ON), Writers at Woody Point (Woody Point NL), Tonder Festival (Denmark), Celtic Connections (Glasgow, Scotland).
Showcase Festivals & Conferences: Folk Alliance International, AmericanaUK Fest, Contact East, Nova Scotia Music Week, East Coast Music Week, Folk Music Ontario, NXNE and OSAC.
Discography:
Pretty Archie (2022)
Running For Cover (2020)
Hanging On (2019)
Sing Alongs & Love Songs (2016)
North End Sky (2015)
Steel City (2013)
