- Juno Awards 2020 – Contemporary Roots Album of the Year nomination
- Canadian Folk Music Awards 2020 – Solo Artist of the Year winner
- Music PEI Awards 2020 – nominated in seven categories; two wins
- Concert at the Sydney Opera House 2017
- Australian Tour with Melissa Etheridge 2016
- Saturday night main stage Bluesfest in Australia 2016 and 2017
- Closing the Philadelphia Folk festival 2016
- Winner of Roots Album of the year East Coast Music Awards 2016
- Nominated for international folk artist of the year by FAI 2017
- 2019 – Little Bones
- 2015 – Irish Mythen
- 2012 – Open Here
- 2009 – Sweet Necessity
- 2006 – Fallen Here
Rachel Davis & Darren McMullen CD Release
With more than a decade of making records and touring around the world behind them—as members of the award-winning group Còig—Rachel Davis and Darren McMullen now have their sights set on something new—Home.
Recorded with award-winning songwriter, musician, and producer Dave Gunning, Home is Rachel and Darren’s long-imagined, and much-anticipated, duo album. Highlighting the pair’s outstanding musicianship and vocals, Home mixes traditional tunes and songs with original co-writes and signature classics.
Rachel and Darren are well-established and respected instrumentalists in the traditional music world and their playing on this album certainly lives up to that reputation. But over the years, each has also gained recognition for their vocal abilities, most notably with Rachel receiving a 2020 Canadian Folk Music Award in the Traditional Singer of the Year category for Còig’s fifth album, Ashlar. While Còig’s repertoire always included songs, the focus of the group was really on the tunes. Rachel and Darren wanted to shift that focus for this album and feature their vocals more. They take turns on lead vocals and harmonies throughout the 11-track album, which is split about evenly between songs and instrumentals, and the result is a cohesive collection of music performed by some of the top musicians of our times.
From the gentle but commanding riff that opens “River and the Road”, written by Scottish songwriting royalty Archie Fisher, to the unexpectedly bouncy breath of fresh air that is Laurence Gowan’s 1993 hit “Dancing on My Own Ground”, to an old standby from their live sets, “We Remember You Well” by their pal, Cape Breton Music Hall of Fame writer Buddy MacDonald, the songs on Home couldn’t be a better fit for Rachel and Darren’s voices and musical sensibilities.
The pair also wanted to do more songwriting for this album and they hit the jackpot with recording, engineering, and arranging collaborator Dave Gunning and acclaimed singer-songwriter Terra Spencer. Both Gunning and Spencer add harmony vocals to the songs they co-wrote, with Gunning also playing a variety of instruments on the album. Other musical guests include Margie Beaton (piano), Thierry Clouette (bouzouki, foot percussion), and Zakk Cormier (guitar, foot percussion) taking turns on the tunes, and English folk singer Jackie Oates who joins Rachel and Darren on harmony for the lovely Cornish folk song “Sweet Nightingale”, which closes the album.
Listening to Rachel and Darren, it’s obvious that they’ve been playing together for a while—not just as part of Còig, but also as a duo, as guests on each other’s records, and as part of bigger stage productions and ensembles. There’s an easy way about them, a sense of comfort that comes through in the music, in the mix of their instruments, the blending of their voices, and how the arrangements leave room for each other. They seem to know just when to lay back and when it’s time to “give’er”.
Rachel and Darren have had the idea of doing a duo project for a long time, since before Còig took off, really. They just couldn’t ever fit it in with the band’s busy schedule and the solo work they were each involved with. But when the world-wide pandemic shut everything down for an unknown period of time, putting everyone’s plans on hold, some members of the band turned to new opportunities and, apart from one-off shows and the annual Christmas tour, Còig basically found itself on hiatus. That was the push that the project needed, as Rachel and Darren found themselves home together, and lots of time to experiment with material.
Rachel Davis and Darren McMullen’s debut duo album, Home, released in May of this year, with Archie’s Fisher’s “River and the Road” marked as the first single and video.
Old Man Luedecke
Old Man Luedecke is the recording name of two time JUNO award winning and Polaris prize nominated singer songwriter Chris Luedecke. A multiple East Coast Music Award winner known for his high energy banjo driven stompers, touching guitar ballads and dry humorous stories, Luedecke has been making a soundtrack to an authentic life for nearly twenty years.
Born in Toronto and long time resident of the country near Chester Nova Scotia, Luedecke began recording in the early 2000’s DIY folk scene of Halifax. He made his two JUNO winning albums for Black Hen Music in the late 00s with Steve Dawson as producer at Vancouver’s famed Factory studio. While on a tour of England in 2009, he met and supported folk roots legend Tim O’Brien who produced Luedecke’s next two albums. Tender is the Night was recorded at John’s Prine’s Butcher Shoppe Studio in Nashville in 2012 and 2015’s Domestic Eccentric was recorded in a cabin Luedecke built himself at his home in NS. 2019 saw Luedecke recording Easy Money at both the Banff Centre in Alberta and at Hotel2Tango in Montreal.
Songs like I quit my Job at the beginning of his career and the Early Days at the beginning of his family and dozens of other fan favourites trace a warm line of effort, sadness and joy and provide a soundtrack to many peoples’ own progress through adulthood, touching a rare place of truth and charm in the holiness of the mundane. His performing style with his easy going humour and storytelling creates a rare space of hopeful and intimate magic.
Luedecke has kept up many worldwide concert appearances, playing in Europe and around Canada and the USA and six trips to Australia, including a memorable tour where his whole young family travelled with him around rural Queensland for the Festival of Small Halls.
In May 2022 Luedecke was awarded an honorary doctorate from King’s University in Halifax for his cultural contributions.
Lookout Tower
Lookout Tower hails from memories of days gone by and of moments yet to come. Storytellers inspired by the cultural landscape of Cape Breton and woven from the yarn of hard times – their songs are the culmination of musical paths not commonly crossed. Defying genres with a no holds barred approach, vintage soul meets modern Americana where footstompin’ old-time harmonies and influences are dashed with Acadian roots, creating their original Winter Swamp Sound – a sonic palette of soulful ballads, rousing blues rock and hypnotic funk.
Their album ‘Fields’ was nominated for ‘Blues Recording of the Year’ at the 2024 ECMAs and for ‘Americana Recording of the Year’ at the 2023 NSMW.
Rankin MacEachern / vocals
Bryan Picard / guitar, vocals
Franzi Habith / bass, vocals
John Pinnington / drums
Steve Poltz – Nova Scotia Homecoming Tour
It might’ve even been last night, but Steve Poltz just played the greatest show of his life. Guess what?
The next show will be even greater, making that show the greatest show of his life.
Are you starting to notice a trend?
He isn’t shy about it either.
Even after most likely thousands of shows (but who’s counting?), he hits the stage with the same amount of energy and always makes sure to declare, “This is the greatest show of my life.”
It’s why he’s quietly emerged as the kind of live phenomenon celebrated passionately by a diehard fanbase worldwide and renowned as a festival favorite everywhere from Bluesfest in Byron Bay and High Sierra Music Festival in California and Telluride Bluegrass Festival in Colorado to Cayamo Cruise (where he actually got married). It’s why his music has crept into pop culture via collaborations with everyone from Jewel and Billy Strings to Molly Tuttle, Sierra Hull, Nicki Bluhm, Oliver Wood, and even the late Mojo Nixon. It’s why after over a dozen albums, he’s still creatively firing on all cylinders and critically acclaimed by the likes of Rolling Stone, Associated Press, Billboard, and many more.
Nevertheless, the next gig will be the greatest show for him (and maybe for you too)…
“I started doing it years ago, because I feel grateful to still be alive,” he notes. ”Even today, I still do it, and I believe my own bullshit. I convinced myself that every show is the greatest show I’ve ever played. They’re all different, and it depends on my mood each day, but I know I’m there to entertain people. It always cracks me up when I stumble into some sort of weird thing that’s handed to me like a gift from the freaky deadly heavens above.”
Steve might as well be “a gift from the freaky deadly heavens above” himself. He was born in Nova Scotia—Halifax, to be exact. Somewhere along the way, he began his relationship with the guitar at six-years-old. “We’re joined at the hip and lip and it’s always near my grip,” he affirms. He grew up in Los Angeles and Palm Springs (where he “met Elvis and Liberace”) and settled in San Diego (where he cut his teeth “under the tutelage of The Beat Farmers”).
He kicked off his musical journey in San Diego-bred underground favorites The Rugburns. However, the world got to know Steve when co-wrote two tracks from Jewel’s diamond-certified debut Pieces Of You, including the multi platinum Billboard Hot 100 #2 “You Were Meant For Me” (he’s also in the video). He delivered his own full-length debut One Left Shoe in 1998 and paved the way for an extensive solo catalog defined by what he calls “evocative lyrics mixed with positivity and traces of tragicomedy.”
If you so choose, you can trace his evolution from “Everything About You” (which popped up in Notting Hill) to the staple “Can O’ Pop”— christened “a fizzy delight” by Rolling Stone. The latter graced his 2022 album, Stardust & Satellites. Co-produced and created with The Wood Brothers, it garnered widespread acclaim. HOLLER. hailed it as “a wonderfully energized, often joyful and wryly provocative release from the charismatic Steve Poltz,” while No Depression dubbed it “poignant and ultimately uplifting.” Glide Magazine applauded how, “He takes chances like few others and seems to be increasingly more unconventional as he embraces Americana.”
Simultaneously, a myriad of artists continue to seek him out as a collaborator in the studio. Whether it be “Leaders” with Billy Strings or “Million Miles” with Molly Tuttle, he’s got dozens of cuts with various friends under his belt. He contributed two tunes to Deer Tick’s Emotional Contracts with frontman John J. McCauley going on to profess to Brooklyn Vegan, “Steve Poltz may be the biggest, most direct inspiration for me on this record.”
Steve adds, “Usually when these folks and many others come over to my house in Nashville we end up with something I love. I try not to overthink it. There are no rules. It’s kind of like fishing. You don’t catch anything if you don’t throw your rod in the water. So I guess I just try to be available for inspiration, mixed with perspiration and exasperation.”
Speaking of perspiration, he regularly travels far and wide to audiences of all ages and all continents most every day.
“I travel from town to town and fool people,” he grins. “I sing them songs and tell them stories and somehow they decide to pay money to obtain some merch and witness the spectacle. Then I return a year later and fool them again.”
In the end, Steve is probably gearing up for the greatest show of his life as you read this.
Thankfully, that will never change.
He signs off, “I’m just a weirdo, a freak, a bon vivant, a rounder, a rabble rouser, a workaholic, a people pleaser, an idiot and a grateful kid who ran away and joined the circus.”
Rose Cousins
Bravado is a record for those who struggle with loneliness and those wishing they had more time alone. It’s for those attempting to make their hearts go in more than one direction and those trying to make it go in just one. It’s for those who present a version of themselves to the world that doesn’t quite match how they feel inside. It’s for those who feel misunderstood or unseen. It’s for those who have a hard time saying what they feel, who hide or can’t let themselves off the hook. It’s for those asking, “is this it?” and questioning if the character they play in the movie of their lives is authentic or just a role they’ve accepted. It’s for those who have a hard time asking for help and for those desperate for and terrified of change.
“I think about how we’re so disconnected. I get sucked into my phone and forget to go for a walk because of this sense of obligation that I have that convinces me to get as much work done as possible. It feels like we’re not connecting in person as much as we used to and that we may be the loneliest we’ve ever been. We’re missing what’s actually happening, like, the earth being on fire. We get caught in the spin of comparing our lives to social media depictions, false standards of a good life. I’ve been thinking about how we must be getting close to a breaking point.”
For Cousins, this chapter is a personal and professional metamorphosis. She is in the producer chair, applying her years of experience, trusting her own ear and pulling thoughtfully from her network of talented colleagues.
“I booked some studio days in February with the intention of making a single and working with some Toronto based musicians I’d always wanted to including Joshua Van Tassel on drums, Robbie Grunwald on keys, Brian Kobayakawa on bass, Dean Drouillard on electric guitars and with Chris Stringer as engineer. Soon after I realized I was chasing a theme and a feeling I’d been pondering for months and it turned into a whole record of, perhaps, my best writing.”
The record is flanked by two distinct renditions of the same song, The Benefits of Being Alone/ The Reprise reinforcing the record’s examination of emotional duality. The record starts in bravado’s swagger then drops us into The Fraud which wrestles with the desire to stay hidden and be seen. The Time Being (Impending Mortality Awareness Society), reminds and invites us to pay attention to what’s most important, to be present. The album lifts to its highest level of hope and most pop production in The Return (Love Comes Back), solidifying Cousins’ collaborative nature by recruiting an international choir of friends to join in at the end. The Lullaby (My Oldest Love) written with Tim Baker (Hey Rosetta), touches the desperate need for affirmation, The Benediction, a yearning for acceptance.
Rose Cousins’ newest offering, Bravado, is the sound of a heart trying to open. It explores the complication of emotion, its irrational tendencies and its wisdom. It invites us to feel the courage it takes to be vulnerable.
Lennie Gallant
East Coast songwriter Lennie Gallant has released fifteen albums of original songs which have won him a host of awards and nominations from the JUNOs, Les Prix Éloizes, and The ECMAs. His songs have been described as “true slices of life delivered with a poet’s flair and a rugged emotional sensibility”. His multimedia production, Searching for Abegweit, ran for 190 shows in Eastern Canada. His song Peter’s Dream, from that show, was inducted into the Canadian Songwriters Hall of Fame.
Lennie is an international artist who has performed all over North America and Europe. His songs have been covered by many artists and he has shared the stage with several orchestras and with performers such as Lucinda Williams, Patti Griffin and Roger Hodgson. He has performed with the late Jimmy Buffett and the Coral Reefers and with David Foster and his band. Lennie struck up a friendship with Jimmy, has two co-writes on his upcoming posthumous album, and was invited to sing on both songs. One of Lennie’s albums also went up to the international space station and circled the planet 248 times. His album, Time Travel, was voted a top ten Album of the Year by a panel of Canadian music industry personnel, and his recent all original Christmas album has received rave reviews.
He and partner Patricia Richard also record and perform as the popular Francophone duo, Sirène et Matelot. Their songs have achieved strong radio play in francophone circuits and have consistently remained on the charts! Lennie Gallant is a member of The Order of Canada and has been recognized for his humanitarian efforts.
David Myles
With two Junos to his credit, David Myles has established himself as a world-class entertainer with an uncanny knack for dispersing profound truths about the human condition through dynamic songwriting. Born and based in New Brunswick, he’s a sonic shapeshifter with more than 15 albums that run the gamut—in English and French—through classic folk traditions, impassioned rock ‘n’ roll, earthy, existential blues, cosmic jazz and funk instrumentals, reflective Americana, and sweltering R&B. And on stage—whether solo or accompanied by a full band—the music is tight and the vibe is loose, with Myles able to command, charm, and uplift audiences in both intimate clubs and grand theatres. The throughline in his work is a deep understanding of our need for connection and an attempt to reach out and make them through musical collaboration, live performance, or deep-digging, heart-to-heart conversations with fellow artists on his podcast and video series Myles From Home.
Myles’ latest offering is what he likes to call his “sinnin’ record,” the spirited Devil Talking—an album that finds him drawing on his many well-honed musical modes to sing about “partying, making mistakes, falling apart and trying to pull yourself together again.” Devil Talking builds on a special era of Myles’ career, a time of creative blossoming during which he’s worked with a core team of musicians to construct some of the most powerful and soul-searching work in his oeuvre. It began in 2021 with the multitudinous That Tall Distance, which won the 2022 JUNO Award for Instrumental Album of the Year, and continued on with 2022’s It’s Only a Little Loneliness, which explored love, loss, and faith. These years of close collaboration have found Myles embracing every facet of his self and artistry, creating a lush, sophisticated sound that defies easy categorization.
His relentless work ethic has earned him numerous awards and accolades; a robust artist profile stateside; and a feature and co-writing credit on “Inner Ninja,” a cross-genre collaboration with rapper Classified and the biggest-selling rap single in the history of Canadian music. On top of Myles From Home, his various projects including a 2018 children’s book called Santa Never Brings Me a Banjo, and Singing For Supper, a long-running concert series that raises money for local food banks.
Songwriters Circle
Jordan Musycsyn, Elyse Aeryn & Brian Cathcart
After a sold out songwriters circle in April, Jordan Musycsyn, Elyse Aeryn and Brian Cathcart decided to take the show on the road to beautiful Iona. Join us on June 14th for an evening of stories and songs with 3 of Cape Breton’s finest songwriters.
Jordan is a hard-working singer/songwriter and a masterful storyteller, writing songs about life and love with pathos and humor in a Folk/Americana style. He sustains a busy touring schedule throughout Canada in support of his third album ‘Around The Fire’ which won him an ECMA in 2021. His sophomore album ‘Old State Of Mind’ (2017) was nominated for a Music Nova Scotia award for best Americana album of the year. Drawing on his own life experiences he writes relatable songs of love, loss and the human condition. A dynamic performer, Jordan moves the audience from laughter to tears and back again. His first album ‘The Pitch’ (released in the fall of 2014) was nominated for 2 Music Nova Scotia awards. He has toured across Canada many times playing his songs solo and with his band. He has played the majority of the major music festivals in Atlantic Canada such as ‘Stan Rogers Folk Festival’, ‘Cavendish Beach Festival’, Celtic Colours Festival’ and the ‘Evolve Music Festival’. He also writes, performs and tours with the ‘Cape Breton Summertime Revue’ and ‘Tis The Season’ annually since 2015.
Singer-songwriter Elyse Aeryn is known for her fiery and rebellious rock and roll. Her soulful melodies paired with her bold, warm voice make for an authentic and ageless sound. From supporting names like Amanda Marshall and Blue Rodeo to being named one of five JUNO Wavemaker Ambassadors for the 2024 JUNOs in Halifax, Elyse is making a name for herself with her dynamic, high-energy live show. Her debut album “Joy State of Mind” won Music Nova Scotia’s Country Recording of the Year and earned an East Coast Music Award nomination for Rock Recording of the Year.
Brian Cathcart is the lead singer for the ECMA nominated group Pretty Archie. Known for his high energy performances, Brian will have you on your feet and singing along.
J.P. Cormier
Nobody really knows who J.P. Cormier is for sure. That’s to be expected, believe me.
In 1974 he was a five year old boy, discovering an innate talent for playing the guitar, I had a little hand in that, guiding him through the beginning stages. He learned faster than I could teach.
By the mid eighties, not out of his teens, he was a sideman for bands and artists of many different genres in Alabama, Tennessee, Mississippi, and all across the deep south. As he travelled and worked he added more and more instruments to his arsenal of capabilities. He became indispensable to the bands he worked for.
In the early Nineties, he became a sideman for one of Canada’s favourite sons, Stompin’ Tom Connors and also became a staple of the recordings at Studio H in Halifax. His work with the CBC there, spanned musical, production and arranging duties.
All this before he was 20.
In the mid nineties he reentered the musical scene of his beloved East Coast and the Island called Cape Breton. He exploded onto the trad music scene there as a fiddler, performing some of the most difficult music ever produced by legends like Winston Fitzgerald and Angus Chisholm with a facility that stunned onlookers. Especially those who knew he wasn’t born there, but born in Ontario to Cape Breton parents. Somehow, some way, his music was the real thing, sounding like he had been steeped continually in a handed-down brew of family tradition from the old country.
Nothing could be further from the truth.
His previous gig was in Nashville playing mandolin and banjo in a grammy nominated bluegrass gospel band and performing on the Opry, and playing television shows with the likes of Waylon Jennings. All those people also thought he was one of them, American, reared in the ways of bluegrass, old time and Americana music. They knew he was from Canada, but it just didn’t seem possible.
Then in 1997, something amazing happened.
An album released in Canada, out of nowhere, called Another Morning. This time it was him as a songwriter and a lead singer.
And what a songwriter he turned out to be. Some of the performances on that album are literally part of the musical vocabulary today in the East Coast. Songs like the title cut, and Kelly’s Mountain, The Molly May (co written with his cousin Gervais) and others. It inspired, 25 years ago, some of the biggest names in the business today. People like Dave Gunning, Matt Andersen, David Myles, Joel Plaskett, all of which will tell you: that record changed things.
The Canadian industry thought so too, and it received a juno nomination and won an ECMA.
And that was just the beginning.
36 years later after stepping on stage as professional union musician for the first time at the tender age of 13, JP is still going, and frighteningly, still getting better.
16 albums followed the success of Another Morning, winning 12 more ECMA’s, another Juno nomination, a Canadian Folk Music Award and 5 Music Nova Scotia Awards. Each album was a snapshot of each thing that he can do. There are fiddle albums, Mandolin, Banjo, Guitar, tribute records, songwriting collections, a purely astounding spectrum of talent and musical vision.
His catalogue of recordings and the 150 or so records he’s produced on other artists, resemble the tapestry he weaves in live performance. Where he used to carry 3 and 4 piece bands, he tours alone now.
Just him and the instruments.
People still leave his shows confused, amazed and wondering what they just saw. Did they see a storyteller? A Songwriter? Arguably one of the best guitar players in the business today? Someone who crosses the lines between different instruments like there are no lines? Who was that masked man, anyway?
Accolades aside, and there are many from people like Chet Atkins, Marty Stuart, Waylon Jennings, Gordon Lightfoot; JP sees himself as just a performer. He’s shy, but has a razor sharp wit and lightning sense of humour. He can be reserved or edgy to the point no return. He speaks for soldiers, first responders, other artists, the forgotten and lost. He speaks sometimes only for himself and refuses rebuttal.
Of all the things he is, foremost he is an entertainer. I think one of the best. After you’ve seen what he does, I’m certain you will too.
Irish Mythen
Bio
Irish Mythen was born in Ireland and now resides in Charlottetown Prince Edward Island Canada.
“This Island creates music and musicians, art and artists. I found a shift to take things more seriously when I moved here.” And she did just that.
Her latest release, Little Bones, gained her recognition around the globe, including a 2020 JUNO nomination for Contemporary Roots Album of the Year, seven Music PEI 2020 nominations and two wins — Touring Artist of the Year and Roots Contemporary Recording of the Year, and a Canadian Folk Music Nomination for Solo Artist of the Year. Her previous self-titled album, Irish Mythen, garnered awards and nominations from Music PEI, East Coast Music Association, Folk Alliance International and SOCAN. Write-ups in Australian Guitar Magazine, Rollingstone and a plethora of other print and online media world wide have helped plant Irish firmly on the map of Must-See Artists.
Irish’s live performances are a thing of raw power, emotion and a connection with her audience that just has to be seen to be believed.
Recent Highlights
Discography
They Said about Irish
Irish Mythen is one of the few performers I have seen who bowls me over each time I see her, she makes me cry with her poignant lyrics and passionate vocals and makes me laugh with her cheeky Irish banter, I love her work and cannot understand why the whole world doesn’t agree with me. Now living in Prince Edward Island in Canada, Mythen has played worldwide and at last seems to be gaining the recognition she deserves.
~ Rachel Griffin, Brighton and Hove News
I had no idea what to expect when this five foot nothing lady took the stage, all smiles and twinkling eyes and guitar. Then, she opened her mouth and out flew a voice that came straight from the Heavens with all the power and the glory and the truth of someone destined to be a singer. I’ve been blessed with seeing and hearing a lot of talented musicians in my life, but I have never experienced anyone quite like Irish Mythen. She is a force of nature and a gift from Almighty Herself.
~ Lisa Schwartz, Philadelphia Folk Festival
I was amazed at your ability to hold such a massive crowd as if it were a tiny one.
~ Dougie MacLean, Artist
By vote, the three most requested artists to return to Mariposa Folk Festival have been 1) Joni 2) Gordon, and 3) Irish Mythen
~ Mike Hill, AD Mariposa Folk Festival