
Cape Breton Celtic Trad Sessions
Come and enjoy a casual gathering of musicians who have come together to play traditional Cape Breton celtic music.
Anyone is welcome to join in, or just sit back and enjoy the tunes.
Sundays at The Frolic 430 – 730pm
Full kitchern and bar service.
Minors allowed till 10pm

Mike McKenna Jr. with Special Guest Wayne Bedecki
2021 East Coast Music Award Winner Singer-songwriter Mike McKenna Jr. has emerged on the Canadian music scene with a raspy, soulful, intimate voice, his distinct indie folk/Americana tones, and songs laden with captivating storytelling. Originally from Cape Breton Island, he continues to bring us the nostalgia of his home through carefully chosen narrative, poetry, protest, and true stories about life and death in Nova Scotia’s coastal, working-class communities. Known for his powerful lyricism and intricate musicianship, Mike’s newest record At The Edge of the World (2020) continues to be met with incredible support both in Canada and internationally.
In just over a year since it’s release, Mike’s sophomore album has received a long list of awards and nominations; WINNER of the Rising Star Recording of the Year by the 2021 East Coast Music Awards (along with nominations for for Contemporary Roots Recording of the Year and Fan’s Choice Video of the Year), nominee for Contemporary Album of the Year by the 2021 Canadian Folk Music Awards, nominee for Americana/Bluegrass Recording of the Year by the Music Nova Scotia Awards, and nominee for 2020 Album of the Year by Blues and Roots Radio. It was also listed on the Bluegrass Situation’s ‘Class of 2020 Playlist, Absolute Best of this Year’s Roots Music Releases’.
Several songs from the record have received high-profile features and recognition, including Spotify Editorial playlists Renegade Folk and Contemporary Folk, Mahogany Sessions’ Acoustic Coffeehouse and Chilled Folk Vol. 3, The Bluegrass Situation’s ‘Mixtape’, Americana UK, Exclaim!, Canadian Beats, Roots Music Canada, The East and many more. Two songs from ATEOTW finished as semi-finalists in the world’s largest songwriting contest, ISC (International Songwriting Competition); the opening song and title track At the Edge of the World in 2019 and the 7th song of the album, High Ground in 2020!
Produced by Berklee graduate, Victoria’s Quinn Bachand (Rosier, Kittel & Co, Brishen), At the Edge of the World delivers a wider, fuller sound than Mike’s previous records, lead by his incredibly raw, confident vocals and surrounded by a beautiful mix of electric and pedal-steel guitar, electric bass, vocal harmonies, strings, piano and drums. During post-production it would then pass through the talented hands of Canada’s top analog specialists; mixing engineer Jon Anderson (Andy Shauf, Rosier, Foxwarren) and Grammy-nominated mastering engineer, Juno/Polaris winner Philip Shaw Bova (Father John Misty, Feist, Bahamas).

Songwriters Circle
Featuring: Molly Babin, Danny MacNeil & Rudy Pacé
Molly Babin is a Cape Breton based singer songwriter who is always working on projects meant to connect with other musicians. Over Covid, Molly released a series named “Virtual Jams” where she did virtual video collaborations with local musicians like Jordan Musycsyn, Wayne Bedecki, Aaron Lewis and twelve others. Molly is also the co-founder of “Open Doors: Cape Breton Women In Harmony”, which is a group aimed at encouraging, supporting and promoting female musicians in Cape-Breton.
Rudy Pace is a Halifax based singer songwriter from Cape-Breton. Rudy is a dedicated East Coast Canadian songwriter who’s been compared to legends such as Townes Van Zandt, Bob Dylan and Neil Young. He is also the host of the Carleton’s “Campfire Songwriters Series” which showcases some of Nova-Scotia’s best up and coming songwriters.
Cape-Breton singer-songwriter Danny MacNeil is a confessional folk artist, with songs influenced by the continuous struggle for contentment and true peace of mind. Danny has spent the last number of years learning the skills of carpentry. During this time, music has remained a vital component of Danny’s life. Despite the busy work and education schedule, he has begun a beautiful piece of musical craftsmanship in his new album, including his single “Ten Hour Day” released this past June and his upcoming single “Trouble That I’m In” being released on November 18th.
$10 at the door (put on your tab). Ages 19+. Full bar service and kitchen open till 9PM. Covid 19 rules and regulations are in play.

Songwriters Cirlce at The Frolic
NOTE: For those who weren’t refunded for the previous songwriters show that was postponed due to covid, your tickets are valid for this event. Please call/text Dan at 1-902-412-8888 to confirm
An evening of songs and stories featuring:
Mike McKenna Jr.
Dreamy, introspective songwriting with a backdrop of Americana and indie-folk soundscapes. Inspired by true stories and common folklore of isolated, working-class island life in the North Atlantic.
Jordan Musycsyn
Jordan is a hard working singer/songwriter, is a masterful storyteller writing songs about life and love with pathos and humour in a Folk-Country style. A dynamic performer, Jordan moves the audience from laughter to tears and back again.
Wayne Bedecki
Wayne is a singer/songwriter from Glace Bay, Nova Scotia on Cape Breton Island who now resides in Halifax. Currently working on his debut album. His songwriting touches audiences with honesty and vulnerability, along side a smooth Indie Folk sound to create a melodic connection.
Kitchen open till 9PM, and full bar service till midnight. Ages 19+

Lloyd Spiegel – POSTPONED
POSTPONED – CREDIT OR REFUNDS WILL BE ISSUED
Somewhere between songwriter, social worker and truth-seeker, sits 11X Australian Blues Award winner, Lloyd Spiegel. Named one of the top Australian guitarists of all time, Lloyd blends comedy, storytelling and jaw-dropping guitar chops to provide one of the most unique, solo, acoustic concert experiences in the world.
Picking up the guitar at age 4 and playing his first professional show at age 10, Lloyd can’t remember a time before playing guitar. By 16 he was on tour in the United States and has since performed at major festivals and iconic Juke Joints around the globe. He has supported the likes of Ray Charles, Bob Dylan and Etta James on tour and has sat with the founding fathers of modern blues including Brownie McGhee, who taught him the most important part of being a blues musician: connecting with everyday people.
Growing up in the music business, Lloyd is passionate about promoting the blues scene and mentoring the next generation. He has taken countless young artists under his wing who have since become multi-award winning performers in their own right and he has been an advocate for blues in Australia.
Quotes:
“A revelation, the consummate performer, an Oz Blues & Roots icon.” – Rolling Stone Australia
“A guitarist almost without peer, Spiegel deconstructs how the blues guitar is supposed to operate, makes sweet love to it, then kicks it out the back door” .– Australian Guitar Player Magazine
“Lloyd Spiegel…guitar magic and great stories. This show is value for money! Go, be amazed!”– Terry Seguin, CBC

Garnet Rogers
In a darkened bedroom, lit only by the amber glow from an old floor model radio, two young brothers aged 6 and 12 lay in their beds, listening to the country music broadcasts from the Grand Ol’ Opry, and practiced their harmonies. Two years later, the youngest one was playing the definitive 8-year-old’s version of “Desolation Row” on his ukulele. He soon abandoned that instrument to teach himself the flute, violin and guitar.
Within ten years, and barely out of high school, Garnet Rogers was on the road as a full-time working musician with his older brother Stan. Together they formed what has come to be accepted as one of the most influential acts in North American folk music.
Since then, Garnet Rogers has established himself as ‘One of the major talents of our time”. Hailed by the Boston Globe as a “charismatic performer and singer”, Garnet is a man with a powerful physical presence – close to six and a half feet tall – with a voice to match. With his “smooth, dark baritone” (Washington Post) his incredible range, and thoughtful, dramatic phrasing, Garnet is widely considered by fans and critics alike to be one of the finest singers anywhere. His music, like the man himself, is literate, passionate, highly sensitive, and deeply purposeful. Cinematic in detail, his songs “give expression to the unspoken vocabulary of the heart” (Kitchener Waterloo Record). An optimist at heart, Garnet sings extraordinary songs about people who are not obvious heroes and of the small victories of the everyday. As memorable as his songs, his over-the-top humour and lightning-quick wit moves his audience from tears to laughter and back again.
“Garnet Rogers is capable of awe-inspiring and unpredictable stuff – and that includes more than just music”
Resolutely independent, Garnet Rogers has turned down offers from major labels to do his music his own way.

Brandon Collier at The Frolic
Join us Sunday night for an evening of sing along songs.
Brandon is an up & coming talent, with a wealth of songs.
Kitchen open till 8PM, bar 12AM
Cheers!

Steve Poltz Shine On… Canada!
Throughout over three decades in music, Steve Poltz did it all and more—often shared by way of his rockin’ countrified folk slices of sardonic Americana (hatched in Halifax). Of course, he co-wrote Jewel’s multiplatinum Hot 100-topping megahit “You Were Meant For Me,” but he also went on a whale watch with her and a few federales that turned into a drug bust. The two still share the story at every festival they play together. He made his bones as the frontman for underground legends The Rugburns, who burned rubber crisscrossing the continent on marathon tours and still pop up once in a while for the rare and quickly sold out reunion gig.
In 20 years since his full-length solo debut, One Left Shoe, he blessed the world’s ears with twelve solo records, spanning the acclaimed 2010 Dreamhouse and most recently Folk Singer in 2015. NPR summed it up best, “Critics and fans alike now regard Poltz as a talented and prolific songwriter.” By 2016, he survived a stroke, endured anything the music industry could throw at him, and still performed like “280 days a year.”
However, he still never lived in Nashville, which represents a turning point in the story and the genesis of his 2018 Red House Records debut, Shine On…
“My girlfriend Sharon sold the condo we were living in, and I was ready to live in a van, which seemed like a good idea for one night—then I decided I wanted a kitchen and a closet,” he admits. “Sharon wanted to move to Nashville, because she thought it would be good for me. It caused a huge fight. I’d been in San Diego since 1980, and that’s where I cut my musical teeth. I thought I’d never leave. In fact, at the height of our fight, I said, ‘I’m not leaving San Diego. I am San Diego!’ This makes me laugh now. As soon as I got to Nashville, I immediately knew I wanted to make a record in ‘Music City’.”
So, the man who once protested “I am San Diego” made Shine On in his new home of Nashville with one of its elder statesman behind the board, Will Kimbrough [Emmylou Harris, Rodney Crowell]. Holing up in the studio at Kimbrough’s house, nothing would be off limits. Together, they unlocked the kind of creative chemistry you only hear about in band bios—but for real.
“I respect Will so much, and I’d always wanted to work with him,” says Steve. “Like two mad scientists, we just took our time and had fun. We didn’t overthink things. Everything felt organic. We ate soul food and drank lots of really good coffee. We tried out weird sounds, and the songs always started with voice and guitar—no click track, just how I’d play them. I road tested many of them, and they were ripe for the picking when recording time came around.”
Evoking themes of “hope, love, contemplation, celebration of Wednesday, pharmacists, and the fact that windows are not inanimate objects and they sometimes have conversations with each other,” the record represents Steve at his most inspired and insightful. The opener and title track “Shine On” pairs a delicate vocal with lithely plucked acoustic strings as he urges, “Shine on, shine on.”
“The song was a gift,” he recalls. “I woke up really early in Encinitas, California at Sharon’s sister’s house. The sun was just coming up. I was all alone in perfect solitude. My guitar was there. The sky was gorgeous. I wrote it as a poem. Everyone always told me, ‘Never start a record with a really slow song.’ So, seeing that I have O.D.D. (Oppositional Defiance Disorder), I started my record with one. I love the mood it sets. It’s almost like my mission statement, trying to find some semblance of positivity and light in a sometimes ruthless world.”
On “Pharmacist,” rustling guitar and harmonica propel a tale of “this dude having a crush on his pharmacist.” It also serves as an extension of his friendship with neighbor Scot Sax—with whom he shares the podcast “One Hit Neighbors” (since they’ve both had one hit song). Meanwhile, he joined forces with Molly Tuttle on “4th of July,” which, of course, came to life on the 3rd of July. “Ballin On Wednesday” drew its title and chorus from a diner checkout girl (with a super cool gold tooth) who Steve paid with a $100 bill and she replied, “Oooh, ballin’ on a Wednsday.” The finale “All Things Shine” skips along on sparse instrumentation as Steve sends a message.
“‘All Things Shine’ came about after one of the many mass shootings on this planet,” he sighs. “I was feeling overwhelmed. So, I wanted to put my feelings into words and melody. I was thinking that even if we’re feeling hopeless that there is still beauty. All things shine in their own way.”
Who could contend that?
In the end, for everything you can call him “searcher, smartass, movie freak, lover of technology, news junkie, baseball fan to nth degree, lapsed catholic who still believes in god even though all his friends are atheists and think he’s an idiot, and maker of fun,” you might just call Steve that little light in the dark we all need in this day and age.
Or Nashville’s Canadian Jiminy Cricket…
“I hope Shine On makes listeners smile and feel welcome, and they want to share it with their friends,” he leaves off. “Music means energy to me. All things. It connects us, makes us move, helps us relax, and inspires us to change things up.”

Steve Poltz Shine On… Canada!
Throughout over three decades in music, Steve Poltz did it all and more—often shared by way of his rockin’ countrified folk slices of sardonic Americana (hatched in Halifax). Of course, he co-wrote Jewel’s multiplatinum Hot 100-topping megahit “You Were Meant For Me,” but he also went on a whale watch with her and a few federales that turned into a drug bust. The two still share the story at every festival they play together. He made his bones as the frontman for underground legends The Rugburns, who burned rubber crisscrossing the continent on marathon tours and still pop up once in a while for the rare and quickly sold out reunion gig.
In 20 years since his full-length solo debut, One Left Shoe, he blessed the world’s ears with twelve solo records, spanning the acclaimed 2010 Dreamhouse and most recently Folk Singer in 2015. NPR summed it up best, “Critics and fans alike now regard Poltz as a talented and prolific songwriter.” By 2016, he survived a stroke, endured anything the music industry could throw at him, and still performed like “280 days a year.”
However, he still never lived in Nashville, which represents a turning point in the story and the genesis of his 2018 Red House Records debut, Shine On…
“My girlfriend Sharon sold the condo we were living in, and I was ready to live in a van, which seemed like a good idea for one night—then I decided I wanted a kitchen and a closet,” he admits. “Sharon wanted to move to Nashville, because she thought it would be good for me. It caused a huge fight. I’d been in San Diego since 1980, and that’s where I cut my musical teeth. I thought I’d never leave. In fact, at the height of our fight, I said, ‘I’m not leaving San Diego. I am San Diego!’ This makes me laugh now. As soon as I got to Nashville, I immediately knew I wanted to make a record in ‘Music City’.”
So, the man who once protested “I am San Diego” made Shine On in his new home of Nashville with one of its elder statesman behind the board, Will Kimbrough [Emmylou Harris, Rodney Crowell]. Holing up in the studio at Kimbrough’s house, nothing would be off limits. Together, they unlocked the kind of creative chemistry you only hear about in band bios—but for real.
“I respect Will so much, and I’d always wanted to work with him,” says Steve. “Like two mad scientists, we just took our time and had fun. We didn’t overthink things. Everything felt organic. We ate soul food and drank lots of really good coffee. We tried out weird sounds, and the songs always started with voice and guitar—no click track, just how I’d play them. I road tested many of them, and they were ripe for the picking when recording time came around.”
Evoking themes of “hope, love, contemplation, celebration of Wednesday, pharmacists, and the fact that windows are not inanimate objects and they sometimes have conversations with each other,” the record represents Steve at his most inspired and insightful. The opener and title track “Shine On” pairs a delicate vocal with lithely plucked acoustic strings as he urges, “Shine on, shine on.”
“The song was a gift,” he recalls. “I woke up really early in Encinitas, California at Sharon’s sister’s house. The sun was just coming up. I was all alone in perfect solitude. My guitar was there. The sky was gorgeous. I wrote it as a poem. Everyone always told me, ‘Never start a record with a really slow song.’ So, seeing that I have O.D.D. (Oppositional Defiance Disorder), I started my record with one. I love the mood it sets. It’s almost like my mission statement, trying to find some semblance of positivity and light in a sometimes ruthless world.”
On “Pharmacist,” rustling guitar and harmonica propel a tale of “this dude having a crush on his pharmacist.” It also serves as an extension of his friendship with neighbor Scot Sax—with whom he shares the podcast “One Hit Neighbors” (since they’ve both had one hit song). Meanwhile, he joined forces with Molly Tuttle on “4th of July,” which, of course, came to life on the 3rd of July. “Ballin On Wednesday” drew its title and chorus from a diner checkout girl (with a super cool gold tooth) who Steve paid with a $100 bill and she replied, “Oooh, ballin’ on a Wednsday.” The finale “All Things Shine” skips along on sparse instrumentation as Steve sends a message.
“‘All Things Shine’ came about after one of the many mass shootings on this planet,” he sighs. “I was feeling overwhelmed. So, I wanted to put my feelings into words and melody. I was thinking that even if we’re feeling hopeless that there is still beauty. All things shine in their own way.”
Who could contend that?
In the end, for everything you can call him “searcher, smartass, movie freak, lover of technology, news junkie, baseball fan to nth degree, lapsed catholic who still believes in god even though all his friends are atheists and think he’s an idiot, and maker of fun,” you might just call Steve that little light in the dark we all need in this day and age.
Or Nashville’s Canadian Jiminy Cricket…
“I hope Shine On makes listeners smile and feel welcome, and they want to share it with their friends,” he leaves off. “Music means energy to me. All things. It connects us, makes us move, helps us relax, and inspires us to change things up.”

Joel Plaskett 2
Canada has produced some of the world’s most enduring songwriters and Joel Plaskett is being hailed as one of the best.
Since spending his teenaged years recording and touring with Halifax indie upstarts Thrush Hermit, Plaskett has been writing his own story. After releasing two critically acclaimed albums – In Need of Medical Attention (1999) and Down at the Khyber (2001) – independently, Joel signed to Maple Music Recordings for the release of 2003’s Truthfully Truthfully, a rock tour de force with his band, The Emergency. That record scored with critics and fans alike and truly put Plaskett on the national radar once and for all. Truthfully Truthfully was nominated for a Juno Award for Alternative Album of the Year and won an East Coast Music Award for Rock Recording of the Year.
During a summer break from touring in 2004, Joel responded to a longtime fan’s offer of recording time at a home studio in Mesa, Arizona. The results of that journey are on Plaskett’s MapleMusic effort, a solo album called La De Da. The album is “solo” in the sense that Joel plays all the instruments but it’s by no means a simple acoustic project. It also isn’t a permanent move away from his work with The Emergency. Rather, it’s the mark of an artist at home with his instincts and his creative muse and one that’s willing to follow fearlessly where those imperatives lead. La De Da attracted attention at regional and national media and the hit single “Happen Now” topped the Canadian campus music chart for months running.
Joel has toured extensively both solo and with The Emergency, to sold-out clubs, theatres and headlining festivals throughout Canada, the United States and Australia, on the heels of great Canadian success with his Make A Little Noise DVD & EP (2006) and Ashtray Rock (2007). Make A Little Noise spawned an infectiously catchy hit single, “Nowhere With You,” that landed Plaskett on the Top 10 at Hott Adult Contemporary (AC) radio. He also garnered three 2007 East Coast Music Awards wins for “Nowhere With You,” DVD for Make A Little Noise, and Songwriter of the Year. Ashtray Rock was nominated for the high profile Polaris Music Prize award, and earned Plaskett and his band all six of the 2008 “of the year” ECMAs for which he, and they, were nominated: Recording, Group Recording, Single (for “Fashionable People,” another hit song), Video (also for “Fashionable People”), Rock Recording, and Songwriter. Topping that off was Joel’s Juno Award nomination for Songwriter of the Year and his placement as First Place Winner in the 2008 Great American Song Contest and the Billboard World Song Contest for his single “Fashionable People” (in the Pop category).
Joel’s triple layered album, Three (released March 2009) features a stellar line up of guest musicians including his father Bill Plaskett, Rose Cousins, Ana Eggie and his band, The Emergency (Chris Pennell and Dave Marsh). Three received overwhelming response from media and radio programmers across the country and was nominated for the prestigious 2009 Polaris Music Award, which recognizes the best Canadian recordings in the last year. Without a doubt, another personal career highlight for Joel and his band was sharing the stage opening for the legendary Paul McCartney (in Halifax, Nova Scotia) performing to an audience of over 50,000 people.??
As a special treat to his fans, in 2011, Plaskett took on yet another project: a collection of demos, outtakes, rarities and B-sides from over a decade of music-making, deliciously titled EMERGENCYs, false alarms, shipwrecks, castaways, fragile creatures, special features, demons and demonstrations. Boasting twenty tracks culled from dozens of unreleased or rare recordings, EMERGENCYs is a fascinating slice of Plaskett’s history, from his earliest days with the Emergency (three songs from 2001’s Down at the Khyber are featured in demo form) to his latest trips into the studio post Three.
The year 2012 started in high gear for Plaskett, and anybody who’s been following along already knows the reason why. Out of the doldrums of another long Canadian winter, Joel and The Emergency worked around the clock, sending weekly volleys to fight off the seasonal blues: a brand new song – recorded, mixed, mastered, and released – every single week for ten weeks, accompanied by snippets of video documenting the process in-studio. It was an epic undertaking, which came together in the physical release of Scrappy Happiness on CD and vinyl. The album is garnering outstanding reviews from the media, is long listed for the Polaris Music Prize, and Joel Plaskett Emergency kicked off their Scrappy Happiness Canadian tour with a live performance on CBC’s George Stroumboulopoulos Tonight.
There are a handful of gorgeous tunes that call to mind the folk inflections of Three, while hewing to the lean, stripped-down production that mark this distinctive record as a whole (the breezy lilt of “Harbour Boys” and the standout “I’m Yours”). But Plaskett’s winking references to his beloved Cactus and Husker Du albums suggest that his riffing chops are as strong as ever. The Emergency provide the muscle for gritty guitar numbers like “Lightning Bolt” and “Time Flies” and they evidently haven’t lost an ounce of love for the kind of melodic rock that inspires tunes like “Somewhere Else” and “Tough Love,” tracks that echo back to their earlier records, Down at the Khyber and Truthfully, Truthfully.
Scrappy Happiness is an eclectic display of Plaskett’s continued songwriting prowess and playful lyricism. While many of the songs tap bittersweet emotions hidden in the fuzzy details of the past, it is the present where this record resides. Time’s flying, so let’s fly with it. Music – the sheer jubilant redemptive promise of music: on the radio, in the car, in the kitchen or from the stage – occupies a prominent place in these songs and one can hear the joy the group took in their creation. But none of this would matter if it weren’t also, in the end, another compelling record from one of Canada’s leading musical voices.