Joel Plaskett Redux
From rocking Halifax’s Marquee Club to performing for the masses at Massey Hall or touring the country with his father, Joel Plaskett has forged a reputation as one of Canada’s most engaging performers and respected singer-songwriters.
Plaskett’s songs are a perennial part of the national playlist, a fixture on “best of” lists, and the soundtrack to the lives of faithful fans across the country and around the world. His accolades over a quarter century include a Juno, numerous East Coast Music, Canadian Folk and Music Nova Scotia awards, and two Polaris short list nominations.
Plaskett’s new project, 44, is his most detailed musical weave yet. A sprawling box set comprised of four, 11-song albums connected visually and thematically, at its heart 44 is an imaginative rumination on trying to slow down and grow up in a rapidly accelerating world.
Plaskett began his musical career in the early 1990s as a member of alt-rock favourites Thrush Hermit, recruiting lifelong fans as the band toured North America in a half-size school bus, setting up their signature neon ROCK & ROLL sign from show to show.
In the early 2000s, Plaskett started touring under his own name with his band, The Emergency (featuring Dave Marsh on drums since 1999, and for the last 14 years, Chris Pennell on bass). Backed by the Emergency and racking up a growing roster of anthemic singalongs, Plaskett worked his way up from small clubs to opening for Paul McCartney and the Tragically Hip, and filling larger venues with his own devoted audience.
Plaskett is a versatile and ever-evolving artist, at turns delivering intimate and idiosyncratic singer-songwriter fare (In Need of Medical Attention, La De Da, The Park Avenue Sobriety Test); incendiary riff-rock (Down at the Khyber, Truthfully, Truthfully), left-leaning folk rock (Solidarity), as well as conceptual epics and off-kilter feats of musical stamina (Ashtray Rock, Three, Scrappy Happiness, 44).
Recorded to analog tape, Plaskett’s records reflect his attention to detail, his dedication to technique, musical history and craft, and a sincere and inimitable lyrical style that runs through his diverse and ever-expanding catalogue.
In addition to producing most of his own records since 1999, Plaskett has also set up shop behind the console at his New Scotland Yard studio in downtown Dartmouth, N.S. His work with artists like Jimmy Rankin, Two Hours Traffic, David Myles, Sarah Slean, Shotgun Jimmie, Dennis Ellsworth, Old Man Luedecke, Dave Marsh, Colleen Brown and longtime collaborator Mo Kenney has led to numerous awards for production, and turned New Scotland Yard into a popular destination for artists looking to develop and document their sound.
In front of the studio is The New Scotland Yard Emporium, where Plaskett has partnered with Halifax mainstay Taz Records to bring a curated selection of records to his adopted hometown, providing a spot where music fans can congregate to grab a coffee or beer while they dig for records.
In a world increasingly connected—and disconnected — by digital mediums, Joel Plaskett prefers to make his connections the old-fashioned way, building community at his studio and shop, dedicating himself to the art and authenticity of songwriting and analog recording processes, and moving audiences with the electrifying, uplifting experience of live performance.
In all aspects of his work, Plaskett embraces both the communal and individual experiences music provides. The ways music and words combine to connect with the listener, turning a minute into a moment out of time, reminding us that we aren’t alone.
Joel Plaskett
From rocking Halifax’s Marquee Club to performing for the masses at Massey Hall or touring the country with his father, Joel Plaskett has forged a reputation as one of Canada’s most engaging performers and respected singer-songwriters.
Plaskett’s songs are a perennial part of the national playlist, a fixture on “best of” lists, and the soundtrack to the lives of faithful fans across the country and around the world. His accolades over a quarter century include a Juno, numerous East Coast Music, Canadian Folk and Music Nova Scotia awards, and two Polaris short list nominations.
Plaskett’s new project, 44, is his most detailed musical weave yet. A sprawling box set comprised of four, 11-song albums connected visually and thematically, at its heart 44 is an imaginative rumination on trying to slow down and grow up in a rapidly accelerating world.
Plaskett began his musical career in the early 1990s as a member of alt-rock favourites Thrush Hermit, recruiting lifelong fans as the band toured North America in a half-size school bus, setting up their signature neon ROCK & ROLL sign from show to show.
In the early 2000s, Plaskett started touring under his own name with his band, The Emergency (featuring Dave Marsh on drums since 1999, and for the last 14 years, Chris Pennell on bass). Backed by the Emergency and racking up a growing roster of anthemic singalongs, Plaskett worked his way up from small clubs to opening for Paul McCartney and the Tragically Hip, and filling larger venues with his own devoted audience.
Plaskett is a versatile and ever-evolving artist, at turns delivering intimate and idiosyncratic singer-songwriter fare (In Need of Medical Attention, La De Da, The Park Avenue Sobriety Test); incendiary riff-rock (Down at the Khyber, Truthfully, Truthfully), left-leaning folk rock (Solidarity), as well as conceptual epics and off-kilter feats of musical stamina (Ashtray Rock, Three, Scrappy Happiness, 44).
Recorded to analog tape, Plaskett’s records reflect his attention to detail, his dedication to technique, musical history and craft, and a sincere and inimitable lyrical style that runs through his diverse and ever-expanding catalogue.
In addition to producing most of his own records since 1999, Plaskett has also set up shop behind the console at his New Scotland Yard studio in downtown Dartmouth, N.S. His work with artists like Jimmy Rankin, Two Hours Traffic, David Myles, Sarah Slean, Shotgun Jimmie, Dennis Ellsworth, Old Man Luedecke, Dave Marsh, Colleen Brown and longtime collaborator Mo Kenney has led to numerous awards for production, and turned New Scotland Yard into a popular destination for artists looking to develop and document their sound.
In front of the studio is The New Scotland Yard Emporium, where Plaskett has partnered with Halifax mainstay Taz Records to bring a curated selection of records to his adopted hometown, providing a spot where music fans can congregate to grab a coffee or beer while they dig for records.
In a world increasingly connected—and disconnected — by digital mediums, Joel Plaskett prefers to make his connections the old-fashioned way, building community at his studio and shop, dedicating himself to the art and authenticity of songwriting and analog recording processes, and moving audiences with the electrifying, uplifting experience of live performance.
In all aspects of his work, Plaskett embraces both the communal and individual experiences music provides. The ways music and words combine to connect with the listener, turning a minute into a moment out of time, reminding us that we aren’t alone.
Mike McKenna Jr.
2021 East Coast Music Award Winner Singer-songwriter Mike McKenna Jr. has emerged on the Canadian music scene with a raspy, soulful, intimate voice, his distinct indie folk/Americana tones, and songs laden with captivating storytelling. Originally from Cape Breton Island, he continues to bring us the nostalgia of his home through carefully chosen narrative, poetry, protest, and true stories about life and death in Nova Scotia’s coastal, working-class communities. Known for his powerful lyricism and intricate musicianship, Mike’s newest record At The Edge of the World (2020) continues to be met with incredible support both in Canada and internationally.
In just over a year since it’s release, Mike’s sophomore album has received a long list of awards and nominations; WINNER of the Rising Star Recording of the Year by the 2021 East Coast Music Awards (along with nominations for for Contemporary Roots Recording of the Year and Fan’s Choice Video of the Year), nominee for Contemporary Album of the Year by the 2021 Canadian Folk Music Awards, nominee for Americana/Bluegrass Recording of the Year by the Music Nova Scotia Awards, and nominee for 2020 Album of the Year by Blues and Roots Radio. It was also listed on the Bluegrass Situation’s ‘Class of 2020 Playlist, Absolute Best of this Year’s Roots Music Releases’.
Several songs from the record have received high-profile features and recognition, including Spotify Editorial playlists Renegade Folk and Contemporary Folk, Mahogany Sessions’ Acoustic Coffeehouse and Chilled Folk Vol. 3, The Bluegrass Situation’s ‘Mixtape’, Americana UK, Exclaim!, Canadian Beats, Roots Music Canada, The East and many more. Two songs from ATEOTW finished as semi-finalists in the world’s largest songwriting contest, ISC (International Songwriting Competition); the opening song and title track At the Edge of the World in 2019 and the 7th song of the album, High Ground in 2020!
Produced by Berklee graduate, Victoria’s Quinn Bachand (Rosier, Kittel & Co, Brishen), At the Edge of the World delivers a wider, fuller sound than Mike’s previous records, lead by his incredibly raw, confident vocals and surrounded by a beautiful mix of electric and pedal-steel guitar, electric bass, vocal harmonies, strings, piano and drums. During post-production it would then pass through the talented hands of Canada’s top analog specialists; mixing engineer Jon Anderson (Andy Shauf, Rosier, Foxwarren) and Grammy-nominated mastering engineer, Juno/Polaris winner Philip Shaw Bova (Father John Misty, Feist, Bahamas).
Cape Breton Celtic Trad Sessions
Come and enjoy a casual gathering of musicians who have come together to play traditional Cape Breton celtic music.
Anyone is welcome to join in, or just sit back and enjoy the tunes.
Sundays at The Frolic 430 – 730pm
Full kitchen and bar service.
Minors allowed till 10pm
Mike McKenna Jr. with Special Guest Wayne Bedecki
2021 East Coast Music Award Winner Singer-songwriter Mike McKenna Jr. has emerged on the Canadian music scene with a raspy, soulful, intimate voice, his distinct indie folk/Americana tones, and songs laden with captivating storytelling. Originally from Cape Breton Island, he continues to bring us the nostalgia of his home through carefully chosen narrative, poetry, protest, and true stories about life and death in Nova Scotia’s coastal, working-class communities. Known for his powerful lyricism and intricate musicianship, Mike’s newest record At The Edge of the World (2020) continues to be met with incredible support both in Canada and internationally.
In just over a year since it’s release, Mike’s sophomore album has received a long list of awards and nominations; WINNER of the Rising Star Recording of the Year by the 2021 East Coast Music Awards (along with nominations for for Contemporary Roots Recording of the Year and Fan’s Choice Video of the Year), nominee for Contemporary Album of the Year by the 2021 Canadian Folk Music Awards, nominee for Americana/Bluegrass Recording of the Year by the Music Nova Scotia Awards, and nominee for 2020 Album of the Year by Blues and Roots Radio. It was also listed on the Bluegrass Situation’s ‘Class of 2020 Playlist, Absolute Best of this Year’s Roots Music Releases’.
Several songs from the record have received high-profile features and recognition, including Spotify Editorial playlists Renegade Folk and Contemporary Folk, Mahogany Sessions’ Acoustic Coffeehouse and Chilled Folk Vol. 3, The Bluegrass Situation’s ‘Mixtape’, Americana UK, Exclaim!, Canadian Beats, Roots Music Canada, The East and many more. Two songs from ATEOTW finished as semi-finalists in the world’s largest songwriting contest, ISC (International Songwriting Competition); the opening song and title track At the Edge of the World in 2019 and the 7th song of the album, High Ground in 2020!
Produced by Berklee graduate, Victoria’s Quinn Bachand (Rosier, Kittel & Co, Brishen), At the Edge of the World delivers a wider, fuller sound than Mike’s previous records, lead by his incredibly raw, confident vocals and surrounded by a beautiful mix of electric and pedal-steel guitar, electric bass, vocal harmonies, strings, piano and drums. During post-production it would then pass through the talented hands of Canada’s top analog specialists; mixing engineer Jon Anderson (Andy Shauf, Rosier, Foxwarren) and Grammy-nominated mastering engineer, Juno/Polaris winner Philip Shaw Bova (Father John Misty, Feist, Bahamas).
Songwriters Circle
Featuring: Molly Babin, Danny MacNeil & Rudy Pacé
Molly Babin is a Cape Breton based singer songwriter who is always working on projects meant to connect with other musicians. Over Covid, Molly released a series named “Virtual Jams” where she did virtual video collaborations with local musicians like Jordan Musycsyn, Wayne Bedecki, Aaron Lewis and twelve others. Molly is also the co-founder of “Open Doors: Cape Breton Women In Harmony”, which is a group aimed at encouraging, supporting and promoting female musicians in Cape-Breton.
Rudy Pace is a Halifax based singer songwriter from Cape-Breton. Rudy is a dedicated East Coast Canadian songwriter who’s been compared to legends such as Townes Van Zandt, Bob Dylan and Neil Young. He is also the host of the Carleton’s “Campfire Songwriters Series” which showcases some of Nova-Scotia’s best up and coming songwriters.
Cape-Breton singer-songwriter Danny MacNeil is a confessional folk artist, with songs influenced by the continuous struggle for contentment and true peace of mind. Danny has spent the last number of years learning the skills of carpentry. During this time, music has remained a vital component of Danny’s life. Despite the busy work and education schedule, he has begun a beautiful piece of musical craftsmanship in his new album, including his single “Ten Hour Day” released this past June and his upcoming single “Trouble That I’m In” being released on November 18th.
$10 at the door (put on your tab). Ages 19+. Full bar service and kitchen open till 9PM. Covid 19 rules and regulations are in play.
Songwriters Cirlce at The Frolic
NOTE: For those who weren’t refunded for the previous songwriters show that was postponed due to covid, your tickets are valid for this event. Please call/text Dan at 1-902-412-8888 to confirm
An evening of songs and stories featuring:
Mike McKenna Jr.
Dreamy, introspective songwriting with a backdrop of Americana and indie-folk soundscapes. Inspired by true stories and common folklore of isolated, working-class island life in the North Atlantic.
Jordan Musycsyn
Jordan is a hard working singer/songwriter, is a masterful storyteller writing songs about life and love with pathos and humour in a Folk-Country style. A dynamic performer, Jordan moves the audience from laughter to tears and back again.
Wayne Bedecki
Wayne is a singer/songwriter from Glace Bay, Nova Scotia on Cape Breton Island who now resides in Halifax. Currently working on his debut album. His songwriting touches audiences with honesty and vulnerability, along side a smooth Indie Folk sound to create a melodic connection.
Kitchen open till 9PM, and full bar service till midnight. Ages 19+
Lloyd Spiegel – POSTPONED
POSTPONED – CREDIT OR REFUNDS WILL BE ISSUED
Somewhere between songwriter, social worker and truth-seeker, sits 11X Australian Blues Award winner, Lloyd Spiegel. Named one of the top Australian guitarists of all time, Lloyd blends comedy, storytelling and jaw-dropping guitar chops to provide one of the most unique, solo, acoustic concert experiences in the world.
Picking up the guitar at age 4 and playing his first professional show at age 10, Lloyd can’t remember a time before playing guitar. By 16 he was on tour in the United States and has since performed at major festivals and iconic Juke Joints around the globe. He has supported the likes of Ray Charles, Bob Dylan and Etta James on tour and has sat with the founding fathers of modern blues including Brownie McGhee, who taught him the most important part of being a blues musician: connecting with everyday people.
Growing up in the music business, Lloyd is passionate about promoting the blues scene and mentoring the next generation. He has taken countless young artists under his wing who have since become multi-award winning performers in their own right and he has been an advocate for blues in Australia.
Quotes:
“A revelation, the consummate performer, an Oz Blues & Roots icon.” – Rolling Stone Australia
“A guitarist almost without peer, Spiegel deconstructs how the blues guitar is supposed to operate, makes sweet love to it, then kicks it out the back door” .– Australian Guitar Player Magazine
“Lloyd Spiegel…guitar magic and great stories. This show is value for money! Go, be amazed!”– Terry Seguin, CBC
Garnet Rogers
In a darkened bedroom, lit only by the amber glow from an old floor model radio, two young brothers aged 6 and 12 lay in their beds, listening to the country music broadcasts from the Grand Ol’ Opry, and practiced their harmonies. Two years later, the youngest one was playing the definitive 8-year-old’s version of “Desolation Row” on his ukulele. He soon abandoned that instrument to teach himself the flute, violin and guitar.
Within ten years, and barely out of high school, Garnet Rogers was on the road as a full-time working musician with his older brother Stan. Together they formed what has come to be accepted as one of the most influential acts in North American folk music.
Since then, Garnet Rogers has established himself as ‘One of the major talents of our time”. Hailed by the Boston Globe as a “charismatic performer and singer”, Garnet is a man with a powerful physical presence – close to six and a half feet tall – with a voice to match. With his “smooth, dark baritone” (Washington Post) his incredible range, and thoughtful, dramatic phrasing, Garnet is widely considered by fans and critics alike to be one of the finest singers anywhere. His music, like the man himself, is literate, passionate, highly sensitive, and deeply purposeful. Cinematic in detail, his songs “give expression to the unspoken vocabulary of the heart” (Kitchener Waterloo Record). An optimist at heart, Garnet sings extraordinary songs about people who are not obvious heroes and of the small victories of the everyday. As memorable as his songs, his over-the-top humour and lightning-quick wit moves his audience from tears to laughter and back again.
“Garnet Rogers is capable of awe-inspiring and unpredictable stuff – and that includes more than just music”
Resolutely independent, Garnet Rogers has turned down offers from major labels to do his music his own way.
Brandon Collier at The Frolic
Join us Sunday night for an evening of sing along songs.
Brandon is an up & coming talent, with a wealth of songs.
Kitchen open till 8PM, bar 12AM
Cheers!