Old Man Luedecke
Old Man Luedecke is the recording name of two time JUNO award winning and Polaris prize nominated singer songwriter Chris Luedecke. A multiple East Coast Music Award winner known for his high energy banjo driven stompers, touching guitar ballads and dry humorous stories, Luedecke has been making a soundtrack to an authentic life for nearly twenty years.
Born in Toronto and long time resident of the country near Chester Nova Scotia, Luedecke began recording in the early 2000’s DIY folk scene of Halifax. He made his two JUNO winning albums for Black Hen Music in the late 00s with Steve Dawson as producer at Vancouver’s famed Factory studio. While on a tour of England in 2009, he met and supported folk roots legend Tim O’Brien who produced Luedecke’s next two albums. Tender is the Night was recorded at John’s Prine’s Butcher Shoppe Studio in Nashville in 2012 and 2015’s Domestic Eccentric was recorded in a cabin Luedecke built himself at his home in NS. 2019 saw Luedecke recording Easy Money at both the Banff Centre in Alberta and at Hotel2Tango in Montreal.
Songs like I quit my Job at the beginning of his career and the Early Days at the beginning of his family and dozens of other fan favourites trace a warm line of effort, sadness and joy and provide a soundtrack to many peoples’ own progress through adulthood, touching a rare place of truth and charm in the holiness of the mundane. His performing style with his easy going humour and storytelling creates a rare space of hopeful and intimate magic.
Luedecke has kept up many worldwide concert appearances, playing in Europe and around Canada and the USA and six trips to Australia, including a memorable tour where his whole young family travelled with him around rural Queensland for the Festival of Small Halls.
In May 2022 Luedecke was awarded an honorary doctorate from King’s University in Halifax for his cultural contributions.
Rose Cousins
Bravado is a record for those who struggle with loneliness and those wishing they had more time alone. It’s for those attempting to make their hearts go in more than one direction and those trying to make it go in just one. It’s for those who present a version of themselves to the world that doesn’t quite match how they feel inside. It’s for those who feel misunderstood or unseen. It’s for those who have a hard time saying what they feel, who hide or can’t let themselves off the hook. It’s for those asking, “is this it?” and questioning if the character they play in the movie of their lives is authentic or just a role they’ve accepted. It’s for those who have a hard time asking for help and for those desperate for and terrified of change.
“I think about how we’re so disconnected. I get sucked into my phone and forget to go for a walk because of this sense of obligation that I have that convinces me to get as much work done as possible. It feels like we’re not connecting in person as much as we used to and that we may be the loneliest we’ve ever been. We’re missing what’s actually happening, like, the earth being on fire. We get caught in the spin of comparing our lives to social media depictions, false standards of a good life. I’ve been thinking about how we must be getting close to a breaking point.”
For Cousins, this chapter is a personal and professional metamorphosis. She is in the producer chair, applying her years of experience, trusting her own ear and pulling thoughtfully from her network of talented colleagues.
“I booked some studio days in February with the intention of making a single and working with some Toronto based musicians I’d always wanted to including Joshua Van Tassel on drums, Robbie Grunwald on keys, Brian Kobayakawa on bass, Dean Drouillard on electric guitars and with Chris Stringer as engineer. Soon after I realized I was chasing a theme and a feeling I’d been pondering for months and it turned into a whole record of, perhaps, my best writing.”
The record is flanked by two distinct renditions of the same song, The Benefits of Being Alone/ The Reprise reinforcing the record’s examination of emotional duality. The record starts in bravado’s swagger then drops us into The Fraud which wrestles with the desire to stay hidden and be seen. The Time Being (Impending Mortality Awareness Society), reminds and invites us to pay attention to what’s most important, to be present. The album lifts to its highest level of hope and most pop production in The Return (Love Comes Back), solidifying Cousins’ collaborative nature by recruiting an international choir of friends to join in at the end. The Lullaby (My Oldest Love) written with Tim Baker (Hey Rosetta), touches the desperate need for affirmation, The Benediction, a yearning for acceptance.
Rose Cousins’ newest offering, Bravado, is the sound of a heart trying to open. It explores the complication of emotion, its irrational tendencies and its wisdom. It invites us to feel the courage it takes to be vulnerable.
Lennie Gallant
East Coast songwriter Lennie Gallant has released fifteen albums of original songs which have won him a host of awards and nominations from the JUNOs, Les Prix Éloizes, and The ECMAs. His songs have been described as “true slices of life delivered with a poet’s flair and a rugged emotional sensibility”. His multimedia production, Searching for Abegweit, ran for 190 shows in Eastern Canada. His song Peter’s Dream, from that show, was inducted into the Canadian Songwriters Hall of Fame.
Lennie is an international artist who has performed all over North America and Europe. His songs have been covered by many artists and he has shared the stage with several orchestras and with performers such as Lucinda Williams, Patti Griffin and Roger Hodgson. He has performed with the late Jimmy Buffett and the Coral Reefers and with David Foster and his band. Lennie struck up a friendship with Jimmy, has two co-writes on his upcoming posthumous album, and was invited to sing on both songs. One of Lennie’s albums also went up to the international space station and circled the planet 248 times. His album, Time Travel, was voted a top ten Album of the Year by a panel of Canadian music industry personnel, and his recent all original Christmas album has received rave reviews.
He and partner Patricia Richard also record and perform as the popular Francophone duo, Sirène et Matelot. Their songs have achieved strong radio play in francophone circuits and have consistently remained on the charts! Lennie Gallant is a member of The Order of Canada and has been recognized for his humanitarian efforts.
J.P. Cormier
Nobody really knows who J.P. Cormier is for sure. That’s to be expected, believe me.
In 1974 he was a five year old boy, discovering an innate talent for playing the guitar, I had a little hand in that, guiding him through the beginning stages. He learned faster than I could teach.
By the mid eighties, not out of his teens, he was a sideman for bands and artists of many different genres in Alabama, Tennessee, Mississippi, and all across the deep south. As he travelled and worked he added more and more instruments to his arsenal of capabilities. He became indispensable to the bands he worked for.
In the early Nineties, he became a sideman for one of Canada’s favourite sons, Stompin’ Tom Connors and also became a staple of the recordings at Studio H in Halifax. His work with the CBC there, spanned musical, production and arranging duties.
All this before he was 20.
In the mid nineties he reentered the musical scene of his beloved East Coast and the Island called Cape Breton. He exploded onto the trad music scene there as a fiddler, performing some of the most difficult music ever produced by legends like Winston Fitzgerald and Angus Chisholm with a facility that stunned onlookers. Especially those who knew he wasn’t born there, but born in Ontario to Cape Breton parents. Somehow, some way, his music was the real thing, sounding like he had been steeped continually in a handed-down brew of family tradition from the old country.
Nothing could be further from the truth.
His previous gig was in Nashville playing mandolin and banjo in a grammy nominated bluegrass gospel band and performing on the Opry, and playing television shows with the likes of Waylon Jennings. All those people also thought he was one of them, American, reared in the ways of bluegrass, old time and Americana music. They knew he was from Canada, but it just didn’t seem possible.
Then in 1997, something amazing happened.
An album released in Canada, out of nowhere, called Another Morning. This time it was him as a songwriter and a lead singer.
And what a songwriter he turned out to be. Some of the performances on that album are literally part of the musical vocabulary today in the East Coast. Songs like the title cut, and Kelly’s Mountain, The Molly May (co written with his cousin Gervais) and others. It inspired, 25 years ago, some of the biggest names in the business today. People like Dave Gunning, Matt Andersen, David Myles, Joel Plaskett, all of which will tell you: that record changed things.
The Canadian industry thought so too, and it received a juno nomination and won an ECMA.
And that was just the beginning.
36 years later after stepping on stage as professional union musician for the first time at the tender age of 13, JP is still going, and frighteningly, still getting better.
16 albums followed the success of Another Morning, winning 12 more ECMA’s, another Juno nomination, a Canadian Folk Music Award and 5 Music Nova Scotia Awards. Each album was a snapshot of each thing that he can do. There are fiddle albums, Mandolin, Banjo, Guitar, tribute records, songwriting collections, a purely astounding spectrum of talent and musical vision.
His catalogue of recordings and the 150 or so records he’s produced on other artists, resemble the tapestry he weaves in live performance. Where he used to carry 3 and 4 piece bands, he tours alone now.
Just him and the instruments.
People still leave his shows confused, amazed and wondering what they just saw. Did they see a storyteller? A Songwriter? Arguably one of the best guitar players in the business today? Someone who crosses the lines between different instruments like there are no lines? Who was that masked man, anyway?
Accolades aside, and there are many from people like Chet Atkins, Marty Stuart, Waylon Jennings, Gordon Lightfoot; JP sees himself as just a performer. He’s shy, but has a razor sharp wit and lightning sense of humour. He can be reserved or edgy to the point no return. He speaks for soldiers, first responders, other artists, the forgotten and lost. He speaks sometimes only for himself and refuses rebuttal.
Of all the things he is, foremost he is an entertainer. I think one of the best. After you’ve seen what he does, I’m certain you will too.
Quote the Raven
Quote the Raven’s sophomore record Can’t Hold the Light has been almost three years in the making. After an impromptu trip to AmericanaFest in 2019, the sounds filling the Nashville streets lit a fire for what would be the duo’s journey into the Americana genre. A collection of songs written with friends all across Canada, this album is a combination of country jams, folk storytelling, heart warming and wrenching ballads, and a glimpse into the life of touring musicians.
Despite delaying the release of their record until the Fall of 2021 Quote the Raven continued to work onward and upward since their album Golden Hour released in 2018. They’ve toured around Canada, performed in Germany, Trinidad, and in the US. They’ve been nominated for an ECMA and awarded the 2019 MusicNL Group the the Year. Their music has been streamed over one million times and featured in international film and television. The first three singles from the album have all charted in the top 100 on the BDS and TRAX
Canadian Country Charts and have been featured on SiriusXM radio in the top 40.
Quote the Raven blend haunting harmony and quick-witted comedy into their East-Coast meets Americana songwriting leaving audiences with a smile on their face and a tear in their eye.
J.P. Cormier
Nobody really knows who J.P. Cormier is for sure. That’s to be expected, believe me.
In 1974 he was a five year old boy, discovering an innate talent for playing the guitar, I had a little hand in that, guiding him through the beginning stages. He learned faster than I could teach.
By the mid eighties, not out of his teens, he was a sideman for bands and artists of many different genres in Alabama, Tennessee, Mississippi, and all across the deep south. As he travelled and worked he added more and more instruments to his arsenal of capabilities. He became indispensable to the bands he worked for.
In the early Nineties, he became a sideman for one of Canada’s favourite sons, Stompin’ Tom Connors and also became a staple of the recordings at Studio H in Halifax. His work with the CBC there, spanned musical, production and arranging duties.
All this before he was 20.
In the mid nineties he reentered the musical scene of his beloved East Coast and the Island called Cape Breton. He exploded onto the trad music scene there as a fiddler, performing some of the most difficult music ever produced by legends like Winston Fitzgerald and Angus Chisholm with a facility that stunned onlookers. Especially those who knew he wasn’t born there, but born in Ontario to Cape Breton parents. Somehow, some way, his music was the real thing, sounding like he had been steeped continually in a handed-down brew of family tradition from the old country.
Nothing could be further from the truth.
His previous gig was in Nashville playing mandolin and banjo in a grammy nominated bluegrass gospel band and performing on the Opry, and playing television shows with the likes of Waylon Jennings. All those people also thought he was one of them, American, reared in the ways of bluegrass, old time and Americana music. They knew he was from Canada, but it just didn’t seem possible.
Then in 1997, something amazing happened.
An album released in Canada, out of nowhere, called Another Morning. This time it was him as a songwriter and a lead singer.
And what a songwriter he turned out to be. Some of the performances on that album are literally part of the musical vocabulary today in the East Coast. Songs like the title cut, and Kelly’s Mountain, The Molly May (co written with his cousin Gervais) and others. It inspired, 25 years ago, some of the biggest names in the business today. People like Dave Gunning, Matt Andersen, David Myles, Joel Plaskett, all of which will tell you: that record changed things.
The Canadian industry thought so too, and it received a juno nomination and won an ECMA.
And that was just the beginning.
36 years later after stepping on stage as professional union musician for the first time at the tender age of 13, JP is still going, and frighteningly, still getting better.
16 albums followed the success of Another Morning, winning 12 more ECMA’s, another Juno nomination, a Canadian Folk Music Award and 5 Music Nova Scotia Awards. Each album was a snapshot of each thing that he can do. There are fiddle albums, Mandolin, Banjo, Guitar, tribute records, songwriting collections, a purely astounding spectrum of talent and musical vision.
His catalogue of recordings and the 150 or so records he’s produced on other artists, resemble the tapestry he weaves in live performance. Where he used to carry 3 and 4 piece bands, he tours alone now.
Just him and the instruments.
People still leave his shows confused, amazed and wondering what they just saw. Did they see a storyteller? A Songwriter? Arguably one of the best guitar players in the business today? Someone who crosses the lines between different instruments like there are no lines? Who was that masked man, anyway?
Accolades aside, and there are many from people like Chet Atkins, Marty Stuart, Waylon Jennings, Gordon Lightfoot; JP sees himself as just a performer. He’s shy, but has a razor sharp wit and lightning sense of humour. He can be reserved or edgy to the point no return. He speaks for soldiers, first responders, other artists, the forgotten and lost. He speaks sometimes only for himself and refuses rebuttal.
Of all the things he is, foremost he is an entertainer. I think one of the best. After you’ve seen what he does, I’m certain you will too.
Mo Kenney
Kenney’s willingness to unflinchingly pursue their artistic impulses on their own terms has resulted in numerous accolades over the past decade, including a SOCAN Songwriting Prize, a nomination for Juno Adult Alternative Album of the Year, and too many East Coast Music Awards and Nova Scotia Awards to count.
2021’s “Covers”, was an acoustic collection that offered a glimpse into the molecular musical composition of the artist interpreting them. 2022 release, “With You”, was written, played, and produced by Kenney alone. 2023 will see the release of a new album of original material.
One of the most refreshing things about Kenney is that their performance and stories are completely raw. Their distinctive vocals and outstanding guitar playing are intensified by the simplicity, their songs relatable yet mysterious. A unique singer-songwriter, Mo’s music has been described as both folk and pop.
2023 touring includes the US, the UK, Europe and Canada.
Dave Sampson Redux
Dave Sampson writes heart-on-your-sleeve folk/pop songs, delivered with a captivating and
authentic voice that could blow down a brick house. His knack for crafting simple ear-worms
and his high-energy shows have been winning him fans across Canada. He has collaborated
and shared the stage with some of Canada’s top exports such as Classified, Alan Doyle,
Donovan Woods, and more. His 2019 EP All Types of Ways, produced and recorded by
Grammy award-winning songwriter Gordie Sampson in Nashville, TN, earned him two 2020
ECMAs for Country Recording and Rising Star Recording of the Year, as well as a
nomination for Songwriter of the Year. The album features several singles which received
hundreds of thousands of streams on DSPs, were added to many editorially-curated
playlists, and were placed in several national television series and advertising campaigns.
In 2014, Dave released his anticipated debut album “No Pressure, No Diamonds” with
producers/collaborators Carleton Stone, Gordie Sampson and Dylan Guthro (Port Cities).
With the release of this album, “ No Pressure No Diamonds” was nominated for Music Nova
Scotia’s Pop Album of the Year, reached #1 on the East Coast Countdown charts twice and
received national airplay throughout Canada. Dave was also invited to Germany in 2014 with
songwriters Carleton Stone and Breagh Mackinnon to participate in a songwriting retreat
followed by a tour.
Fast forward to 2015, his song “No Pressure, No Diamonds” was interpolated by Canadian
Hip Hop icon Classified and released as his first single (“No Pressure”) on the billboard
charts via Atlantic Records. “No Pressure’ features hip-hop legend Snoop Dogg, and was
awarded Gold Record status by Music Canada. Dave also received a songwriting nod on
Classifieds “Oh No” track on his album “Grateful”, and Neon Dreams’ singles “Find a Way” &
“Love Experts” which made it to the billboard EDM top 40.
Dave has also been hand-picked as one of Nova Scotia’s most promising young songwriters
to take part in the prestigious, invitation-only Gordie Sampson Song camp for the past 10
years. Through this opportunity, he has been fortunate enough to collaborate with some of
Canada’s most sought after writers: Gordie Sampson, Caitlyn Smith (Nashville), Sam Ellis
(Nashville), Thomas AWG Salter (TAWGS), and many more.
“Heartfelt, energized and emotional, Dave Sampson has obvious natural talent as a Maritime singer-songwriter.
Recommended for fans of Joel Plaskett, David Myles and Hawksley Workman. ” – Grant Lawrence (CBC Music)
“Not only is Dave Sampson a fantastic singer/songwriter, but his live performance during both shows (as a band
and as a solo artist) was second to none. The level of comfort that he and his band have on stage oozes with
every movement made.” – HalifaxBloggers.ca @ EAST COAST MUSIC WEEK 2016
“Dave Sampson writes a great, heartfelt pop song and has a warm, inviting, laid-back style that will no doubt
appeal to a wide cross-section of people. It’s not hard to imagine his music lighting up the radio and drawing
crowds” – The Scope, St. John’s, NL
Dave Sampson
Dave Sampson writes heart-on-your-sleeve folk/pop songs, delivered with a captivating and
authentic voice that could blow down a brick house. His knack for crafting simple ear-worms
and his high-energy shows have been winning him fans across Canada. He has collaborated
and shared the stage with some of Canada’s top exports such as Classified, Alan Doyle,
Donovan Woods, and more. His 2019 EP All Types of Ways, produced and recorded by
Grammy award-winning songwriter Gordie Sampson in Nashville, TN, earned him two 2020
ECMAs for Country Recording and Rising Star Recording of the Year, as well as a
nomination for Songwriter of the Year. The album features several singles which received
hundreds of thousands of streams on DSPs, were added to many editorially-curated
playlists, and were placed in several national television series and advertising campaigns.
In 2014, Dave released his anticipated debut album “No Pressure, No Diamonds” with
producers/collaborators Carleton Stone, Gordie Sampson and Dylan Guthro (Port Cities).
With the release of this album, “ No Pressure No Diamonds” was nominated for Music Nova
Scotia’s Pop Album of the Year, reached #1 on the East Coast Countdown charts twice and
received national airplay throughout Canada. Dave was also invited to Germany in 2014 with
songwriters Carleton Stone and Breagh Mackinnon to participate in a songwriting retreat
followed by a tour.
Fast forward to 2015, his song “No Pressure, No Diamonds” was interpolated by Canadian
Hip Hop icon Classified and released as his first single (“No Pressure”) on the billboard
charts via Atlantic Records. “No Pressure’ features hip-hop legend Snoop Dogg, and was
awarded Gold Record status by Music Canada. Dave also received a songwriting nod on
Classifieds “Oh No” track on his album “Grateful”, and Neon Dreams’ singles “Find a Way” &
“Love Experts” which made it to the billboard EDM top 40.
Dave has also been hand-picked as one of Nova Scotia’s most promising young songwriters
to take part in the prestigious, invitation-only Gordie Sampson Song camp for the past 10
years. Through this opportunity, he has been fortunate enough to collaborate with some of
Canada’s most sought after writers: Gordie Sampson, Caitlyn Smith (Nashville), Sam Ellis
(Nashville), Thomas AWG Salter (TAWGS), and many more.
“Heartfelt, energized and emotional, Dave Sampson has obvious natural talent as a Maritime singer-songwriter.
Recommended for fans of Joel Plaskett, David Myles and Hawksley Workman. ” – Grant Lawrence (CBC Music)
“Not only is Dave Sampson a fantastic singer/songwriter, but his live performance during both shows (as a band
and as a solo artist) was second to none. The level of comfort that he and his band have on stage oozes with
every movement made.” – HalifaxBloggers.ca @ EAST COAST MUSIC WEEK 2016
“Dave Sampson writes a great, heartfelt pop song and has a warm, inviting, laid-back style that will no doubt
appeal to a wide cross-section of people. It’s not hard to imagine his music lighting up the radio and drawing
crowds” – The Scope, St. John’s, NL
Lucy MacNeil with Rob Durando, Boyd MacNeil & Lisa MacArthur
Lucy MacNeil is a singer, multi instrumentalist and step dancer from Cape Breton Island. She plays Fiddle, Celtic Harp, and Bodhran. Lucy has been performing with the Barra MacNeils for more than 36 years. They come from a long tradition of Cape Breton music and dance that has been the foundation of their creative pursuits over their musical career.
Alongside her brothers she has travelled to Europe, Scotland, England, Wales, Ireland, the United States, Barbados, throughout Canada from Fogo Island, Nfld. to Iqualuit to Vancouver island.
The Barras recorded their first self titled album in 1986 and have continued making music, touring and recording throughout the years. During the 1990’s they were signed with record label Poly Dor and Opened for Celine Dion, Kenny Rogers and were special guests on two of Rita MacNeils’ Christmas specials.
In 2015 Lucy was one of the artists in residence for the “Celtic Colours International Music Festival”. Here she was paired with Liz Doherty from Buncrana, Ireland to help select musicians and musical selections together for performances during the festival. It was a wonderful experience for both Lucy and the audiences who came to Celtic Colours and those that watched the online streaming shows.
In 2014 and 2017 Lucy was a special guest with Symphony Nova Scotia for their Rita MacNeil tribute concert with guests The Men of the Deeps. In 2021 she was invited back for the Symphony Nova Scotia Fusion sessions. For these three concerts she performed with conductor Scott MacMillan, Symphony Nova Scotia.
Lucy has also teamed up with Bette MacDonald, Jenn Sheppard and Heather Rankin as The Island Girls. They toured the Maritimes in 2022 to enthusiastic audiences and look to do more dates in the future.
During the pandemic which was a very quiet time for many Lucy started working on a solo album. Something she had wanted to do but the time never presented itself. She also felt in these uncertain times watching a world that was going through immense change and upheaval she wanted to leave something behind of herself and her lifetime attachment to traditional music and song.
In October of 2021 Lucy released her first single “Hope For One and All” and is now looking at a release date for her album,
“Angels Whisper” early this summer.