
Lucy MacNeil
The only girl in a family of five boys, Lucy MacNeil can be described as the heart of The Barra MacNeils. Her crystalline vocals are immediately identifiable with the group’s quintessential sound.
For Lucy, music has always had a heartbeat and she recalls it as the centre of her childhood home where family, neighbours and visiting musicians were often known to gather — the perfect rhythm of everyone’s feet tapping with the music would lull her to sleep on many nights.
Lucy’s own musical journey officially began when she was 9 years old, but even before that she was step dancing alongside her mother, a well-known local dancer and teacher. Her career with The Barra MacNeils has seen her opening tours for international stars such as Celine Dion, Kenny Rogers and fellow Canadian Rita MacNeil. Yet, with all the many rich and rewarding experiences Lucy’s fondest memory of performing took place in grade 10 at Memorial High School. A contestant in the winter carnival pageant, she put together a performance for the talent portion that drew on all her talents – singing “The legend of the St. Anne’s Reel” playing the fiddle between verses and then ending with a step dance routine. The remarkable effort would lead to her very first standing ovation.
A devoted mother of two talented young girls, Lucy finds time to enjoy life’s simple pleasures, from sharing recipes with her mom, and getting car care advice from her dad, chatting with old friends or dancing to the infectious latin rhythms in her ZUMBA class. Lucy MacNeil looks forward to discovering where music and her extraordinary life will lead her next.
Vocals, bodhran, Celtic harp, fiddle, stepdancing

An Afternoon with Steve Poltz
Throughout over three decades in music, Steve Poltz did it all and more—often shared by way of his rockin’ countrified folk slices of sardonic Americana (hatched in Halifax). Of course, he co-wrote Jewel’s multiplatinum Hot 100-topping megahit “You Were Meant For Me,” but he also went on a whale watch with her and a few federales that turned into a drug bust. The two still share the story at every festival they play together. He made his bones as the frontman for underground legends The Rugburns, who burned rubber crisscrossing the continent on marathon tours and still pop up once in a while for the rare and quickly sold out reunion gig.
In 20 years since his full-length solo debut, One Left Shoe, he blessed the world’s ears with twelve solo records, spanning the acclaimed 2010 Dreamhouse and most recently Folk Singer in 2015. NPR summed it up best, “Critics and fans alike now regard Poltz as a talented and prolific songwriter.” By 2016, he survived a stroke, endured anything the music industry could throw at him, and still performed like “280 days a year.”
However, he still never lived in Nashville, which represents a turning point in the story and the genesis of his 2018 Red House Records debut, Shine On…
“My girlfriend Sharon sold the condo we were living in, and I was ready to live in a van, which seemed like a good idea for one night—then I decided I wanted a kitchen and a closet,” he admits. “Sharon wanted to move to Nashville, because she thought it would be good for me. It caused a huge fight. I’d been in San Diego since 1980, and that’s where I cut my musical teeth. I thought I’d never leave. In fact, at the height of our fight, I said, ‘I’m not leaving San Diego. I am San Diego!’ This makes me laugh now. As soon as I got to Nashville, I immediately knew I wanted to make a record in ‘Music City’.”
So, the man who once protested “I am San Diego” made Shine On in his new home of Nashville with one of its elder statesmen behind the board, Will Kimbrough [Emmylou Harris, Rodney Crowell]. Holing up in the studio at Kimbrough’s house, nothing would be off limits. Together, they unlocked the kind of creative chemistry you only hear about in band bios—but for real.
“I respect Will so much, and I’d always wanted to work with him,” says Steve. “Like two mad scientists, we just took our time and had fun. We didn’t overthink things. Everything felt organic. We ate soul food and drank lots of really good coffee. We tried out weird sounds, and the songs always started with voice and guitar—no click track, just how I’d play them. I road tested many of them, and they were ripe for the picking when recording time came around.”
Evoking themes of “hope, love, contemplation, celebration of Wednesday, pharmacists, and the fact that windows are not inanimate objects and they sometimes have conversations with each other,” the record represents Steve at his most inspired and insightful. The opener and title track “Shine On” pairs a delicate vocal with lithely plucked acoustic strings as he urges, “Shine on, shine on.”
“The song was a gift,” he recalls. “I woke up really early in Encinitas, California at Sharon’s sister’s house. The sun was just coming up. I was all alone in perfect solitude. My guitar was there. The sky was gorgeous. I wrote it as a poem. Everyone always told me, ‘Never start a record with a really slow song.’ So, seeing that I have O.D.D. (Oppositional Defiance Disorder), I started my record with one. I love the mood it sets. It’s almost like my mission statement, trying to find some semblance of positivity and light in a sometimes ruthless world.”
On “Pharmacist,” rustling guitar and harmonica propel a tale of “this dude having a crush on his pharmacist.” It also serves as an extension of his friendship with neighbor Scot Sax—with whom he shares the podcast “One Hit Neighbors” (since they’ve both had one hit song). Meanwhile, he joined forces with Molly Tuttle on “4th of July,” which, of course, came to life on the 3rd of July. “Ballin On Wednesday” drew its title and chorus from a diner checkout girl (with a super cool gold tooth) who Steve paid with a $100 bill and she replied, “Oooh, ballin’ on a Wednesday.” The finale “All Things Shine” skips along on sparse instrumentation as Steve sends a message.
“‘All Things Shine’ came about after one of the many mass shootings on this planet,” he sighs. “I was feeling overwhelmed. So, I wanted to put my feelings into words and melody. I was thinking that even if we’re feeling hopeless that there is still beauty. All things shine in their own way.”
Who could contend that?
In the end, for everything you can call him “searcher, smartass, movie freak, lover of technology, news junkie, baseball fan to nth degree, lapsed catholic who still believes in god even though all his friends are atheists and think he’s an idiot, and maker of fun,” you might just call Steve that little light in the dark we all need in this day and age.
Or Nashville’s Canadian Jiminy Cricket…
“I hope Shine On makes listeners smile and feel welcome, and they want to share it with their friends,” he leaves off. “Music means energy to me. All things. It connects us, makes us move, helps us relax, and inspires us to change things up.”

An Evening with Steve Poltz
Throughout over three decades in music, Steve Poltz did it all and more—often shared by way of his rockin’ countrified folk slices of sardonic Americana (hatched in Halifax). Of course, he co-wrote Jewel’s multiplatinum Hot 100-topping megahit “You Were Meant For Me,” but he also went on a whale watch with her and a few federales that turned into a drug bust. The two still share the story at every festival they play together. He made his bones as the frontman for underground legends The Rugburns, who burned rubber crisscrossing the continent on marathon tours and still pop up once in a while for the rare and quickly sold out reunion gig.
In 20 years since his full-length solo debut, One Left Shoe, he blessed the world’s ears with twelve solo records, spanning the acclaimed 2010 Dreamhouse and most recently Folk Singer in 2015. NPR summed it up best, “Critics and fans alike now regard Poltz as a talented and prolific songwriter.” By 2016, he survived a stroke, endured anything the music industry could throw at him, and still performed like “280 days a year.”
However, he still never lived in Nashville, which represents a turning point in the story and the genesis of his 2018 Red House Records debut, Shine On…
“My girlfriend Sharon sold the condo we were living in, and I was ready to live in a van, which seemed like a good idea for one night—then I decided I wanted a kitchen and a closet,” he admits. “Sharon wanted to move to Nashville, because she thought it would be good for me. It caused a huge fight. I’d been in San Diego since 1980, and that’s where I cut my musical teeth. I thought I’d never leave. In fact, at the height of our fight, I said, ‘I’m not leaving San Diego. I am San Diego!’ This makes me laugh now. As soon as I got to Nashville, I immediately knew I wanted to make a record in ‘Music City’.”
So, the man who once protested “I am San Diego” made Shine On in his new home of Nashville with one of its elder statesmen behind the board, Will Kimbrough [Emmylou Harris, Rodney Crowell]. Holing up in the studio at Kimbrough’s house, nothing would be off limits. Together, they unlocked the kind of creative chemistry you only hear about in band bios—but for real.
“I respect Will so much, and I’d always wanted to work with him,” says Steve. “Like two mad scientists, we just took our time and had fun. We didn’t overthink things. Everything felt organic. We ate soul food and drank lots of really good coffee. We tried out weird sounds, and the songs always started with voice and guitar—no click track, just how I’d play them. I road tested many of them, and they were ripe for the picking when recording time came around.”
Evoking themes of “hope, love, contemplation, celebration of Wednesday, pharmacists, and the fact that windows are not inanimate objects and they sometimes have conversations with each other,” the record represents Steve at his most inspired and insightful. The opener and title track “Shine On” pairs a delicate vocal with lithely plucked acoustic strings as he urges, “Shine on, shine on.”
“The song was a gift,” he recalls. “I woke up really early in Encinitas, California at Sharon’s sister’s house. The sun was just coming up. I was all alone in perfect solitude. My guitar was there. The sky was gorgeous. I wrote it as a poem. Everyone always told me, ‘Never start a record with a really slow song.’ So, seeing that I have O.D.D. (Oppositional Defiance Disorder), I started my record with one. I love the mood it sets. It’s almost like my mission statement, trying to find some semblance of positivity and light in a sometimes ruthless world.”
On “Pharmacist,” rustling guitar and harmonica propel a tale of “this dude having a crush on his pharmacist.” It also serves as an extension of his friendship with neighbor Scot Sax—with whom he shares the podcast “One Hit Neighbors” (since they’ve both had one hit song). Meanwhile, he joined forces with Molly Tuttle on “4th of July,” which, of course, came to life on the 3rd of July. “Ballin On Wednesday” drew its title and chorus from a diner checkout girl (with a super cool gold tooth) who Steve paid with a $100 bill and she replied, “Oooh, ballin’ on a Wednesday.” The finale “All Things Shine” skips along on sparse instrumentation as Steve sends a message.
“‘All Things Shine’ came about after one of the many mass shootings on this planet,” he sighs. “I was feeling overwhelmed. So, I wanted to put my feelings into words and melody. I was thinking that even if we’re feeling hopeless that there is still beauty. All things shine in their own way.”
Who could contend that?
In the end, for everything you can call him “searcher, smartass, movie freak, lover of technology, news junkie, baseball fan to nth degree, lapsed catholic who still believes in god even though all his friends are atheists and think he’s an idiot, and maker of fun,” you might just call Steve that little light in the dark we all need in this day and age.
Or Nashville’s Canadian Jiminy Cricket…
“I hope Shine On makes listeners smile and feel welcome, and they want to share it with their friends,” he leaves off. “Music means energy to me. All things. It connects us, makes us move, helps us relax, and inspires us to change things up.”

Dylan Menzie Single Release Show with Special Guest Joce Reyome
Since 2013, Prince Edward Island’s Dylan Menzie has been steadily building a catalogue of acclaimed, award winning music. Drawing inspiration from acts like Wilco, Fleet Foxes, and Vampire Weekend; He is a combination of folk, rock, and pop elements best described as Indie Pop Americana. His sprawling and dynamic vocals have allowed him to tour around the globe and play at iconic festivals like the Cambridge Folk Festival & the Edmonton Folk Festival.
Menzie’s 2020 LP “Lost in Dreams” was nominated for multiple ECMA & Music PEI Awards and was an exploratory record for the artist. The album bounces from genre to genre while the production showcases Menzie’s songs in a softer, more controlled environment focused on lyrics & vocals. With his next record, Menzie aims to continue this evolution. Constantly moving forward, the 2021 Music PEI Awards Entertainer of the Year & Songwriter of the Year is set to release a new single, “A Heart That Doesn’t Want Mine” on October 8th, 2021.
Hailing from Massachusetts, Joce Reyome relocated to PEI in 2016 to pursue music at a post-secondary level. Reyome’s debut single Cross My Heart was recorded and produced by Colin Buchanan and Erin Costelo. With inspiration from Aretha Franklin, Otis Redding, and Janis Joplin, they bring old-school vibes to the new times.

Barn Bhreagh
Cape Breton artists Morgan Toney, Isabella Samson, Jesse Cox & Keith Mullins
First come first serve!
No admission.
Kitchen open till 9PM

Underground Songwriters Series
A night of pleasing music, featuring: RG Schaller, Russ Mathews, Jacob Lee, Sonnie Greening, Eric Marcotte, Mike Fagan & Duane Nardocchio
First come first serve!
No Admission.
Kitchen open till 9PM, bar is licensed to 2AM

Dave Sampson 2nd Night
Dave Sampson writes heart-on-your-sleeve folk/pop songs, delivered with a captivating and
authentic voice that could blow down a brick house. His knack for crafting simple ear-worms
and his high-energy shows have been winning him fans across Canada. He has collaborated
and shared the stage with some of Canada’s top exports such as Classified, Alan Doyle,
Donovan Woods, and more. His 2019 EP All Types of Ways, produced and recorded by
Grammy award-winning songwriter Gordie Sampson in Nashville, TN, earned him two 2020
ECMAs for Country Recording and Rising Star Recording of the Year, as well as a
nomination for Songwriter of the Year. The album features several singles which received
hundreds of thousands of streams on DSPs, were added to many editorially-curated
playlists, and were placed in several national television series and advertising campaigns.
In 2014, Dave released his anticipated debut album “No Pressure, No Diamonds” with
producers/collaborators Carleton Stone, Gordie Sampson and Dylan Guthro (Port Cities).
With the release of this album, “ No Pressure No Diamonds” was nominated for Music Nova
Scotia’s Pop Album of the Year, reached #1 on the East Coast Countdown charts twice and
received national airplay throughout Canada. Dave was also invited to Germany in 2014 with
songwriters Carleton Stone and Breagh Mackinnon to participate in a songwriting retreat
followed by a tour.
Fast forward to 2015, his song “No Pressure, No Diamonds” was interpolated by Canadian
Hip Hop icon Classified and released as his first single (“No Pressure”) on the billboard
charts via Atlantic Records. “No Pressure’ features hip-hop legend Snoop Dogg, and was
awarded Gold Record status by Music Canada. Dave also received a songwriting nod on
Classifieds “Oh No” track on his album “Grateful”, and Neon Dreams’ singles “Find a Way” &
“Love Experts” which made it to the billboard EDM top 40.
Dave has also been hand-picked as one of Nova Scotia’s most promising young songwriters
to take part in the prestigious, invitation-only Gordie Sampson Song camp for the past 10
years. Through this opportunity, he has been fortunate enough to collaborate with some of
Canada’s most sought after writers: Gordie Sampson, Caitlyn Smith (Nashville), Sam Ellis
(Nashville), Thomas AWG Salter (TAWGS), and many more.
“Heartfelt, energized and emotional, Dave Sampson has obvious natural talent as a Maritime singer-songwriter.
Recommended for fans of Joel Plaskett, David Myles and Hawksley Workman. ” – Grant Lawrence (CBC Music)
“Not only is Dave Sampson a fantastic singer/songwriter, but his live performance during both shows (as a band
and as a solo artist) was second to none. The level of comfort that he and his band have on stage oozes with
every movement made.” – HalifaxBloggers.ca @ EAST COAST MUSIC WEEK 2016
“Dave Sampson writes a great, heartfelt pop song and has a warm, inviting, laid-back style that will no doubt
appeal to a wide cross-section of people. It’s not hard to imagine his music lighting up the radio and drawing
crowds” – The Scope, St. John’s, NL

Dave Sampson
Dave Sampson writes heart-on-your-sleeve folk/pop songs, delivered with a captivating and
authentic voice that could blow down a brick house. His knack for crafting simple ear-worms
and his high-energy shows have been winning him fans across Canada. He has collaborated
and shared the stage with some of Canada’s top exports such as Classified, Alan Doyle,
Donovan Woods, and more. His 2019 EP All Types of Ways, produced and recorded by
Grammy award-winning songwriter Gordie Sampson in Nashville, TN, earned him two 2020
ECMAs for Country Recording and Rising Star Recording of the Year, as well as a
nomination for Songwriter of the Year. The album features several singles which received
hundreds of thousands of streams on DSPs, were added to many editorially-curated
playlists, and were placed in several national television series and advertising campaigns.
In 2014, Dave released his anticipated debut album “No Pressure, No Diamonds” with
producers/collaborators Carleton Stone, Gordie Sampson and Dylan Guthro (Port Cities).
With the release of this album, “ No Pressure No Diamonds” was nominated for Music Nova
Scotia’s Pop Album of the Year, reached #1 on the East Coast Countdown charts twice and
received national airplay throughout Canada. Dave was also invited to Germany in 2014 with
songwriters Carleton Stone and Breagh Mackinnon to participate in a songwriting retreat
followed by a tour.
Fast forward to 2015, his song “No Pressure, No Diamonds” was interpolated by Canadian
Hip Hop icon Classified and released as his first single (“No Pressure”) on the billboard
charts via Atlantic Records. “No Pressure’ features hip-hop legend Snoop Dogg, and was
awarded Gold Record status by Music Canada. Dave also received a songwriting nod on
Classifieds “Oh No” track on his album “Grateful”, and Neon Dreams’ singles “Find a Way” &
“Love Experts” which made it to the billboard EDM top 40.
Dave has also been hand-picked as one of Nova Scotia’s most promising young songwriters
to take part in the prestigious, invitation-only Gordie Sampson Song camp for the past 10
years. Through this opportunity, he has been fortunate enough to collaborate with some of
Canada’s most sought after writers: Gordie Sampson, Caitlyn Smith (Nashville), Sam Ellis
(Nashville), Thomas AWG Salter (TAWGS), and many more.
“Heartfelt, energized and emotional, Dave Sampson has obvious natural talent as a Maritime singer-songwriter.
Recommended for fans of Joel Plaskett, David Myles and Hawksley Workman. ” – Grant Lawrence (CBC Music)
“Not only is Dave Sampson a fantastic singer/songwriter, but his live performance during both shows (as a band
and as a solo artist) was second to none. The level of comfort that he and his band have on stage oozes with
every movement made.” – HalifaxBloggers.ca @ EAST COAST MUSIC WEEK 2016
“Dave Sampson writes a great, heartfelt pop song and has a warm, inviting, laid-back style that will no doubt
appeal to a wide cross-section of people. It’s not hard to imagine his music lighting up the radio and drawing
crowds” – The Scope, St. John’s, NL

The Town Heroes
They’ve toured the world, released three critically acclaimed albums and won an array of industry awards. Anthemic choruses, 3-part harmonies, tender falsettos and big drums highlight their riff driven, dirty-yet-nuanced barrage of sound. On stage they move like intense caricatures – soaked in sweat, pushing every chord, note and beat to the limit. A structured wall of sound emerges; familiar yet distinctive. Camaraderie shows in their musicianship, their songwriting highlights what they are: friends playing music for the love of it, in it for the long haul.
Musically, TTH are reminiscent of the 90’s Alt-Rock bands they grew up listening to. Lyrically, at the root of every song is a passionate exploration of the things that make us all human. Whether good or bad, they’re the things that make us who we are: heartache, longing, society in the modern age, dreams and family.
Through comedic videos, social media hi-jinks, blogs, unexpected wardrobe, late night sandwich stands at music festivals, amusing acceptance speeches and interviews, the band has earned a reputation for making people laugh.
Though vastly different, the band has found a way to balance these two sides in a seamless, cohesive manner. They see it as a crucial, necessary part of what they do. In a world where so much negativity fills the news, where the media endlessly focuses on the bad, The Town Heroes want to bring something positive into it all – as small as it may be. They see it as necessary because it is – it’s who they are. That’s something they’ll never change.
For the past 6 years, TTH have played as a duo – Mike Ryan (guitar, vocals) and Bruce Gillis (drums) – captivating audiences with their remarkably full sound and energetic performances. With a desire to push the envelope even more, in November 2016 the band expanded to become a 4-piece, adding Aaron Green (guitars) and Tori Cameron (bass) to the band. The new lineup reflects and effectively captures the growth, vision, and musical progression of the band.
Ages: 19+

Songwriters Circle
An evening of storytelling and songs, featuring Dylan Devoe, Jordan Musycsyn, & Colette Deveaux.
Dylan Devoe is a Canadian singer/songwriter, hailing from Cape Breton Island, Nova Scotia. He writes relatable stories about life on the east coast, eccentric roadside characters from his travels and hometown barflies alike.
Late nights & long days, rocking out with his bandmates in Pirate Jenny, and currently recording his debut album, this maritime musician remains diligent in the studio and on the stage. With high energy, multi-instrumental live performances and heartfelt songs sang with just the right amount of angst and wit, Devoe stays true to his rock n’ roll roots, while adding a flavour of folk, punk & the east coast blues.
Jordan is a hard-working singer/songwriter, is a masterful storyteller writing songs about life and love with pathos and humour in a Folk/Americana style. He sustains a busy touring schedule throughout Canada in support of his sophomore album ‘Old State Of Mind’(2017, nominated for Music Nova Scotia award for best Americana album of the year). Drawing on his own life experiences he writes relatable songs of love, loss and the human condition. A dynamic performer, Jordan moves the audience from laughter to tears and back again. His first album ‘The Pitch’ (released in the fall of 2014) was nominated for 2 Music Nova Scotia awards. He has toured across Canada many times playing his songs solo, with his band, with the Cape Breton Summertime Revue and Tis The Season.
There is a tangible, indelible honesty woven into Colette Deveaux’s music, which is known for evoking a powerful, oftentimes somatic response from her audience. Colette’s ability to describe and inspire emotion through music can break you open and delicately put you back together again. Currently based out of her hometown of Sydney on the beautiful East Coast Island of Cape Breton, Deveaux has been quietly and diligently making a name for herself among Canadian artists for the better half of the decade. Inspired at a young age by the works of Leonard Cohen and Canadian independent icon Greg MacPherson, Colette creates a mixture of thoughtful, moving poetry and infectious melodies to create a truly memorable sound. Colette and her band were the winners of the 2019 “Under the Breton Sky Emerging Band Contest,” winning an opening spot at the festival headlined by The Trews. She performed at the 10th anniversary HUFF songwriters show later that same year. Her first single “Honey” was released in 2019 and featured on CBC Radio, Sirius XM, Stingray Radio’s East Coast Channel, and many local and national stations.
Full Bar till 10PM & Kitchen Service till 9PM
Ages 19+